Details
- Author
- Viktoras Binkis
- Materials
- mixed media, collage, DSP board
- Dimensions
- 100 × 80 cm
- Signature
- Hand-signed by the artist
- Ready to hang
- Yes
- Frame
- Framed
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
For Viktoras Binkis, harmony, order, and sophistication are essential components at the heart of his creative process. He himself notes that his works avoid the chaotic or spontaneous features that are often linked with contemporary art; rather, he characterizes his approach as classical. Although abstract elements may appear in his style, Binkis meticulously maintains a balance among composition, tonality, and color harmony, likening his method to Euclid’s appreciation for symmetry and the harmonious order of the spheres.
The landscape genre occupies a central place in Binkis’s body of work. He views landscapes as an “ideal laboratory” that allows him to investigate the formal potential of painting while at the same time reflecting on and enriching his personal artistic skills. In his pieces, well-known Lithuanian scenery emerges anew through bold viewpoints and inventive uses of color, resulting in images that are by turns dramatic and quietly infused with a dreamlike quality.
Born in 1957, Viktoras Binkis completed his studies in painting at the Vilnius Art Institute in 1988, laying the groundwork for a diverse artistic career that has unfolded over many years.
Since joining the Lithuanian Artists' Union in 1992, Binkis has cultivated an artistic practice that encompasses painting, photography, and sculpture. He has staged more than twenty solo exhibitions, consistently exploring themes of visual harmony, structural order, and the lyrical reinterpretation of the natural world.
Lithuanian Artists’ Association Member
This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania
About this artwork+
The painting features an abstract depiction of a figure on a rich purple background. The figure is vertically oriented, composed of intricate, overlapping shapes and lines that suggest the form of a woman, albeit in a highly stylized, almost cubist manner. The color palette is dominated by shades of green, black, and white, creating a striking contrast against the purple backdrop. The forms that make up the figure are both fluid and jagged, with elements that hint at human anatomy, such as the suggestion of a bent knee and parts that might interpret as a torso and arms, yet the figure remains distinctly non-representational, leaving much to the viewer's interpretation. The overall composition is both bold and delicate, with a strong use of line and color to convey its subject.




















