For Viktoras Binkis, harmony, order, and sophistication are essential components at the heart of his creative process. He himself notes that his works avoid the chaotic or spontaneous features that are often linked with contemporary art; rather, he characterizes his approach as classical. Although abstract elements may appear in his style, Binkis meticulously maintains a balance among composition, tonality, and color harmony, likening his method to Euclid’s appreciation for symmetry and the harmonious order of the spheres.
The landscape genre occupies a central place in Binkis’s body of work. He views landscapes as an “ideal laboratory” that allows him to investigate the formal potential of painting while at the same time reflecting on and enriching his personal artistic skills. In his pieces, well-known Lithuanian scenery emerges anew through bold viewpoints and inventive uses of color, resulting in images that are by turns dramatic and quietly infused with a dreamlike quality.
Born in 1957, Viktoras Binkis completed his studies in painting at the Vilnius Art Institute in 1988, laying the groundwork for a diverse artistic career that has unfolded over many years.
Since joining the Lithuanian Artists' Union in 1992, Binkis has cultivated an artistic practice that encompasses painting, photography, and sculpture. He has staged more than twenty solo exhibitions, consistently exploring themes of visual harmony, structural order, and the lyrical reinterpretation of the natural world.
About this artwork+
The painting depicts an old, narrow street in Istria, rendered with thick, expressive brushstrokes and a vibrant palette dominated by shades of red, yellow, and orange. The buildings are angular and abstract, giving the composition a dynamic, almost fragmented appearance. A tall church tower rises in the background, its form stretching skyward, lending a sense of verticality against the more horizontally arranged houses. The foreground features irregular cobblestones, enhancing the rustic and aged quality of the scene. Shadows and highlights are boldly contrasted, creating a sense of depth and the impression of sunlight casting over the structures. The overall atmosphere is one of vibrant, historical charm, with a touch of surrealist distortion in the way the architecture bends and twists under the painter's whimsical style.
