For Viktoras Binkis, harmony, order, and sophistication are essential components at the heart of his creative process. He himself notes that his works avoid the chaotic or spontaneous features that are often linked with contemporary art; rather, he characterizes his approach as classical. Although abstract elements may appear in his style, Binkis meticulously maintains a balance among composition, tonality, and color harmony, likening his method to Euclid’s appreciation for symmetry and the harmonious order of the spheres.
The landscape genre occupies a central place in Binkis’s body of work. He views landscapes as an “ideal laboratory” that allows him to investigate the formal potential of painting while at the same time reflecting on and enriching his personal artistic skills. In his pieces, well-known Lithuanian scenery emerges anew through bold viewpoints and inventive uses of color, resulting in images that are by turns dramatic and quietly infused with a dreamlike quality.
Born in 1957, Viktoras Binkis completed his studies in painting at the Vilnius Art Institute in 1988, laying the groundwork for a diverse artistic career that has unfolded over many years.
Since joining the Lithuanian Artists' Union in 1992, Binkis has cultivated an artistic practice that encompasses painting, photography, and sculpture. He has staged more than twenty solo exhibitions, consistently exploring themes of visual harmony, structural order, and the lyrical reinterpretation of the natural world.
About this artwork+
The painting presents a vividly colored depiction of a street scene, possibly captured from an elevated viewpoint. A winding road runs through the center of the composition, its surface depicted in shades of ivory and pale blue, suggesting the play of light or possibly the presence of water or ice. The architecture flanking the street ranges from rural, simplistic structures to more solid, block-like buildings. Colors are boldly used; oranges, blues, and reds dominate, setting a dramatic contrast against a brooding, cloudy sky rendered in greys and muted blues. Above the scene, assorted utility poles stretch vertically, piercing the sky, and adding a linear, almost abstract element to the otherwise organic forms. Their presence, together with the irregular angles of the buildings and fences, creates a dynamic, almost bustling atmosphere, despite the absence of visible human figures.
