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Artwork in the room

Rasa Makaraitytė Ra

Rasa Makaraitytė Ra(93)

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Rasa Makaraitytė Ra is a rising Lithuanian artist who currently lives in Rome. She started her creative path by studying architecture at the Vilnius Academy of Arts in Lithuania, but later redirected her focus toward visual arts. Now residing in Italy, Rasa works across multiple creative fields, such as graphic design, photography, video art, illustration, and painting.

The breadth and richness of her multidisciplinary experience can be seen throughout her body of work. Rasa employs diverse techniques to transform fleeting memories into striking images, expressing emotions like crisis, triumph, momentum, and longing. Her unique approach is marked by vibrant colors, energetic brushwork, and a strong black outline that unifies and frames each piece.

Rasa's method is deliberately open, favoring suggestion and quiet over direct storytelling. By avoiding a fixed narrative or personal anecdote, she invites viewers to immerse themselves and interpret her pieces through their own viewpoints. This openness grants her art a flexibility and interpretive freedom that allows it to connect with and speak to a broad audience.

Her works have been featured in various exhibitions, most notably "Da Lontano a Qui" (2018) at Spazio E - Arte Contemporanea in Milan, and "Da Lontano a Qui Vol. 2" (2018) at MUEF ArtGallery in Rome. Through these shows, Rasa Makaraitytė Ra has started to make her mark in both the Lithuanian and Italian contemporary art worlds.

About this artwork+

The painting displays a vibrant and abstract portrait of a face. Bold strokes of orange, blue, and red paint dominate the canvas, creating an almost fragmented view of the subject. The face is depicted in a stylized form, with sections appearing to overlap and blend into each other. Various graphic elements, possibly indicative of modern technology or circuitry, are interspersed throughout the image, suggesting a thematic connection to contemporary life possibly symbolized by the title mentioning microwaves. The eyes of the figure, somber and penetrating, seem to stare out from the milieu of vivid colors and abstract shapes, capturing the viewer’s attention amidst the chaos of color and form.