Artwork in the room
Kristina Čivilytė is a Lithuanian artist who earned her Master’s degree in Painting from the Kaunas Faculty of Vilnius Art Academy. Residing in Kaunas, she is an active participant in the Lithuanian Artists Association. Since 2013, Kristina has taken part in numerous exhibitions, including over 20 solo shows and more than 35 group exhibitions. Her international portfolio features her participation in an artist symposium held in India in November 2018, as well as a group exhibition in Athens, Greece, in 2019.
The creative path of this painter is shaped by her guiding principle: Art only begins where Imitation ends. (Oscar Wilde) This belief is evident in her willingness to transcend the confines of conventional painting, choosing to emphasize individuality and creative expression above the simple replication of the visible world.
Kristina Čivilytė’s paintings stand out for their bold and dynamic color schemes. She frequently uses both vivid and misty hues, often weaving in the deep, warm tones of autumn to establish striking visual contrasts. The abstract elements present in her work encourage audiences to discover their own meanings, transforming each piece into a personal journey across memories, impressions, and envisioned possibilities.
At the heart of Kristina's artistry lies a spirit of experimentation. She adeptly blends conventional and mixed media methods, at times introducing specialized techniques to amplify the emotional depth of her paintings. Her creative process is intuitive, with artworks taking shape organically through memory, exploration, and a profound sense of spiritual and imaginative inquiry. This approach has resulted in a collection marked by a distinctive energy, a quality highlighted by art critic Agnė Bartišiūtė-Janušienė.
About this artwork+
The painting presents a textured surface dominated by shades of grayish lavender with deep, tactile grooves and marks that evoke a sense of raw physicality. Central to the composition is a large, irregular piece of bark, its rough, earthy browns standing vivid against the muted background. To the right of the bark, a smaller, similarly rustic fragment, perhaps also bark, is positioned farther from the central piece, maintaining visual balance. Directly below the central bark, a pine cone contributes additional natural texture with its complex, overlapping patterns. The arrangement of these elements seems almost floating, with small pebble-like shapes and strokes of varying shades adding depth and movement across the canvas. The overall effect is one of being immersed in a tactile natural landscape, abstract and yet familiar.
