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Artwork in the room

Jolanta Gegelevičiūtė

Jolanta Gegelevičiūtė(81)

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Jolanta Gegelevičiūtė, born in 1966 in Lithuania’s Rokiškis district, established the groundwork for her artistic journey upon graduating from the Lithuanian State Art Institute (now the Vilnius Academy of Arts) in 1989. Her multifaceted oeuvre encompasses a range of mediums, reflecting her adaptability as a painter as well as a freelance graphic designer. Since 2008, she has been an active participant in the Lithuanian art scene as a member of the Lithuanian Artists’ Association.

Gegelevičiūtė’s creative output spans many disciplines—textiles, digital graphics, and poetry among them. Her dedication to artistic inquiry is evident in the breadth of her exhibition history, with more than ten solo exhibitions and participation in an array of group shows. This extensive record demonstrates her ongoing engagement in exchanges with fellow artists and viewers, both within Lithuania and internationally.

Central to Jolanta Gegelevičiūtė’s artistic vision is the motif of the path, which recurs throughout her statements about her work. She sees the path as fascinating and mysterious, capable of both guiding and misleading, evolving with every new step. For Gegelevičiūtė, the path serves as more than just a route; it symbolizes perspective, movement, and the perpetual interplay between escaping and being present.

This ethos of movement and introspection infuses not only her visual art but also her textile pieces and poetry. Gegelevičiūtė encourages audiences to reflect on broader interpretations of travel—be it physical, virtual, or imaginative. Ultimately, her creations underscore the necessity of presence, conveying that finding the true path involves embracing the present moment and recognizing the value inherent in movement itself.

About this artwork+

The painting presents a fragmented view laid out across several disjointed, rectangular panels, each varying in size and orientation, floating against a plain background. The artwork conveys a mood of ambiguity through its abstract approach, where textured strokes and blended colors dominate. Bottom panels show interplays of deep oranges and blacks suggesting fiery illumination hidden behind dark, dense elements, possibly foliage or branches. It hints at an unseen radiance, potentially symbolic of enlightenment or forbidden knowledge, as referenced by the title. The top and middle sections adopt cooler tones, with grays and blues melding into each other, possibly depicting the sky or a reflective surface, contributing to a sense of depth and mystery. The scattered arrangement of the panels and the obscured forms challenge the viewer to piece together the painting’s narrative and symbolism, reflecting on the tree of knowledge and its implications.