Artwork in the room
Jolanta Gegelevičiūtė, born in 1966 in Lithuania’s Rokiškis district, established the groundwork for her artistic journey upon graduating from the Lithuanian State Art Institute (now the Vilnius Academy of Arts) in 1989. Her multifaceted oeuvre encompasses a range of mediums, reflecting her adaptability as a painter as well as a freelance graphic designer. Since 2008, she has been an active participant in the Lithuanian art scene as a member of the Lithuanian Artists’ Association.
Gegelevičiūtė’s creative output spans many disciplines—textiles, digital graphics, and poetry among them. Her dedication to artistic inquiry is evident in the breadth of her exhibition history, with more than ten solo exhibitions and participation in an array of group shows. This extensive record demonstrates her ongoing engagement in exchanges with fellow artists and viewers, both within Lithuania and internationally.
Central to Jolanta Gegelevičiūtė’s artistic vision is the motif of the path, which recurs throughout her statements about her work. She sees the path as fascinating and mysterious, capable of both guiding and misleading, evolving with every new step. For Gegelevičiūtė, the path serves as more than just a route; it symbolizes perspective, movement, and the perpetual interplay between escaping and being present.
This ethos of movement and introspection infuses not only her visual art but also her textile pieces and poetry. Gegelevičiūtė encourages audiences to reflect on broader interpretations of travel—be it physical, virtual, or imaginative. Ultimately, her creations underscore the necessity of presence, conveying that finding the true path involves embracing the present moment and recognizing the value inherent in movement itself.
About this artwork+
The painting portrays an abstract configuration of various geometric shapes, predominantly triangles, that intersect and overlay each other creating a multifaceted composition. The color palette is muted, consisting primarily of shades of grey, white, and beige, with occasional hints of pale blue and a singular touch of golden yellow. Each shape is distinctly marked with brushstrokes that add depth and texture, suggesting both flatness and dimensionality. Some sections of the composition have a smoother finish while others showcase more pronounced, dynamic strokes, indicating movement and a form of controlled chaos. The composition appears both random and calculated, evoking a sense of deconstruction or fragmentation within a structured framework.




















