Details
- Author
- Daliutė Ivanauskaitė
- Materials
- Coloured linocut
- Dimensions
- 81 × 61 cm
- Year of creation
- 2023
- Signature
- Hand-signed by the artist
Certificate of authenticity and return guarantee
Certificate of authenticity
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Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Artwork in the room
Daliutė Ivanauskaitė (b. 1958) is a prominent Lithuanian artist acclaimed for her achievements in printmaking, small-scale graphics, ex-libris, and calligraphy. Beyond her creative practice, she has made notable contributions as a compiler of art books, designer of graphic projects, exhibition curator, and editor of art catalogues. Her educational journey began at the J. Naujalis Secondary Art School in Kaunas, and she completed her studies in graphics at the Vilnius Academy of Arts (formerly VDI) in 1983. Ivanauskaitė has been an active exhibition participant since 1984 and joined the Lithuanian Artists’ Association in 1988.
Ivanauskaitė’s professional path has been distinguished by wide international recognition and prolific exhibition activity. She has shown her works in more than thirty countries, participating in nearly a hundred international and group exhibitions, and has mounted over twenty solo exhibitions in places such as Lithuania, the USA, Germany, Scotland, and Spain. Her engagement on the world stage has helped highlight both Lithuanian printmaking traditions and innovations in contemporary visual art.
The artist has received multiple awards at international graphic art exhibitions. Among her distinctions, she earned a prize at the 39th Mini Print International of Cadaques, Spain, in 2019. In 2012, she was granted the 1st Grand Prize Raimundo Cela in Sobral, Brazil, and received a diploma at the international ex-libris exhibition "Donelaitis – 300" in Vilnius. Such accolades reflect the high esteem for her technical expertise and artistic vision worldwide.
Daliutė Ivanauskaitė’s artworks are held in notable collections across Lithuania and internationally, including the Lithuanian National Museum, Lithuanian National Art Museum, Sakimi Museum of Art in Okinawa, Instituto ECOA in Brazil, and institutions throughout Europe and the Americas. Art critic G. Gurnevičiūtė has described her linocuts as conjuring a realm of profound ideas and emotion: abstract shapes and subtle tones foster a meditative dialogue with nature and with the self. Through her art, Ivanauskaitė invites viewers on a poetic exploration, guiding them deeper into visual contemplation.
Lithuanian Artists’ Association Member
This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania
About this artwork+
In the painting, a dynamic and abstract landscape unfolds under a tranquil sky. The sky is a soft blue, smooth and nearly uniform in color, forming a serene backdrop that contrasts with the complexity below it. The landscape itself consists of a series of vigorous, seemingly spontaneous linear markings that create an impression of wild, tangled vegetation or chaotic terrain. Sharp white and blue lines dominate the scene, suggesting the presence of vigorous wind or swift movements, evoking a sense of energy and fluidity. Some areas are denser, with deep green and black hues that appear like dense foliage or shadows amongst the undergrowth, enriching the visual texture and adding depth to the composition. The lower part of the painting appears less cultivated, with lighter scribbles and rough sketches in pale blue and white, possibly indicating pathways or less dense parts of the landscape. The overall mood conveyed by the painting is one of transformation and vibrant motion, as though nature itself is in a state of flux, continuously reshaping and evolving.
