Details
- Materials
- acrylic on canvas
- Dimensions
- 60 × 60 cm
- Signature
- Hand-signed by the artist
- Ready to hang
- Yes
- Frame
- Framed
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Artwork in the room
Aurina Griciūtė Paškevičienė, a Lithuanian artist specializing in decorative arts, graduated from the Kaunas St. Žukas Applied Art Technical College. Over time, she has cultivated a distinctive style and artistic voice of her own. Now based in the Lithuanian town of Utena, Aurina continues to pursue her creative journey and develop her artistic viewpoint.
For Aurina, painting holds profound personal significance. She regards it as both art therapy and a means of achieving freedom through the act of self-expression. Each painting becomes a visual journal—an honest record in which she conveys her ideas, feelings, and emotions using striking colors and expressive lines. Through this process, she explores and communicates her inner life.
In her artistic perspective, Aurina perceives the world as if it were part of a fairy tale, suffused with kindness, happiness, and light. The motif she revisits most frequently is the figure of a woman, whom she finds to be endlessly intriguing and enigmatic. This theme continues to shape the stories and imagery she creates in her artwork.
Aurina’s works are distinguished by their emotional depth and authenticity. Her paintings draw viewers in with mesmerizing colors and a fearless imagination, while also displaying great care for details and decorative features. Her passion for decorative art is apparent in every piece, turning each work into a singular and vivid expression of her artistic vision.
About this artwork+
The painting features a young woman seated, her gaze directed upward with a contemplative expression. She is enveloped in a flowing dress adorned with multiple shades of green, bearing resemblance to foliage or perhaps underwater plants, interspersed with round, light-reflecting motifs that suggest bubbles or dewdrops. The background is a rich tapestry of vertical golden-yellow stripes, creating a luminous effect as if sunlight is filtering through. Below her, a border resembling a body of water or a fantastical landscape is depicted, composed of dark blues, grays, browns, and speckles of vibrant colors that could be interpreted as stones, water droplets, or mystical elements. Her presence and the surrounding elements conjure a serene, almost otherworldly atmosphere.



















