Vytautas Jūrevičius, a Lithuanian artist, completed his studies at the Lithuanian State Art Institute (today known as the Vilnius Academy of Arts) in 1977. Not long after graduating, he began his artistic career, and by 1981, he devoted himself fully to creative work. Throughout his career, Jūrevičius has participated in numerous exhibitions in Lithuania and abroad, with his art being presented in countries including Finland, the United Arab Emirates, France, and the United States.
One of his significant pieces is the tapestry "For mother of a perished soldier," which is held in the Museum of Applied Arts and Design. This work in particular highlights both his technical skill and emotional depth as an artist. Besides his tapestry work, Vytautas Jūrevičius also accepts commissions, producing art tailored to clients’ requests. His works are found in private collections within Lithuania and internationally, indicating the broad recognition of his artistic abilities.
At present, Vytautas Jūrevičius is dedicated to painting, with a strong focus on oil techniques. This shift illustrates both his versatility and ongoing growth as an artist. Whether working in tapestry or oil, his pieces are marked by meticulous craftsmanship and thoughtful artistic expression.
Jūrevičius is an active participant in the Lithuanian Artists’ Association and has been officially recognized as an artist by the Ministry of Culture of the Republic of Lithuania. These affiliations emphasize his important role in the Lithuanian art scene and his dedication to advancing contemporary art in his homeland.
About this artwork+
The painting features a stylized and vibrant portrayal of plants arranged in a mosaic-like composition, using vibrant and contrasting colors. Abstract floral motifs and leaves are interconnected through bold outlines, primarily in shades of burnt orange, green, blue, and dark maroon. These elements are segmented into various angular and curved forms that piece together like a jigsaw puzzle. Each floral cluster seems to float independently yet harmoniously against the fragmented, multicolored background. The depiction leans towards a primitive art style with a textured and almost tactile paint application visible within the detailing of leaves and flowers.




















