Violeta Latvytė Narbutienė, born in 1971 in Kaunas, Lithuania, has cultivated a distinctive vision within the realm of visual art, placing particular emphasis on the deeper emotional and spiritual facets within her creations. Across the years, her artistic journey has consistently reflected an ongoing investigation of both worldly and transcendent subjects.
The artist frequently states, “Everything and always can extradite, but the creation - never,” emphasizing her conviction in the timeless and inviolable nature of genuine artistic creation. This statement reveals her unwavering commitment to art as a fundamental and sacred part of who she is.
Art critic Violeta Jasevičiūtė observes, “In the paintings of the artist we find original way of thinking and plastic expression. Emotional state, fragility of creations, mystical visions were influenced by spiritual sense. However, all this is not limited by physiological state, it rises to the connect of earthy and heavenly spheres, sensation of divine will” (1997). Her analysis highlights the mystical and spiritual attributes that pervade Latvytė Narbutienė’s oeuvre.
Through her art, Violeta Latvytė Narbutienė invites audiences to examine the relationship between delicacy and the mystical. Her works prompt viewers to contemplate the line between the tangible and the spiritual, evoking a deep sense of connection with that which is hidden and sacred.
About this artwork+
The painting features a grand tower reaching up into the sky. At the top, there's a small, delicate gold cross that glints against the backdrop of swirling blue and white clouds. The tower itself is painted in bright, warm tones of beige and white, contrasting with the cool blues of the sky. The style is loose and expressive. Violeta Latvytė Narbutienė uses bold strokes and a vibrant color palette to bring the structure to life. Her technique gives the painting a dynamic, almost dreamy quality. It feels as if the tower is not just a static building, but a living part of the broader canvas of the sky. Violeta Latvytė Narbutienė has clearly mastered the balance between detail and impressionism, making the tower both a focal point and a part of a larger, beautiful scene.
