Artwork in the room
Verdenė Monika Valkiūnaitė is a Lithuanian artist whose practice encompasses scenography, drawing, and painting. She received her bachelor’s degree in scenography from the Vilnius Academy of Arts in 2018, later earning her master’s from the same institution in 2021. Since completing her studies, she has continually produced new works and participated in exhibitions, both at home in Lithuania and abroad.
When painting, Valkiūnaitė aims to cultivate a distinctive style and expressive approach, often drawing inspiration from her early life. Her method includes assembling scenographic components on flat surfaces and reinterpreting the responsibilities of the scenographer by placing emphasis on crafting a sensual atmosphere throughout the canvas. She adopts a spontaneous and intuitive process, frequently forgoing preliminary sketches in favor of allowing her compositions to emerge organically.
A prominent feature of her art is the use of multiple layers, which give her canvases both depth and spatial complexity. She favors vivid, luminous colors, engaging with their contrasts and relationships to infuse her paintings with energy and playfulness. In organizing her exhibitions, Valkiūnaitė invites viewers to navigate the space, encounter unexpected barriers, and immerse themselves in environments that are simultaneously novel and intimate, often populated by captivating characters.
For Valkiūnaitė, perseverance and continuous exploration are more valuable than brief moments of inspiration. Her creative process involves gathering her experiences, reevaluating them, and subsequently interpreting them through her artwork. Among her significant solo exhibitions are “Savannid” at Jakobi galerii in Tartu, Estonia (2023), “Savanna and Other Spells” at Baltasis koridorius in Vilnius, Lithuania (2023), and “Planes (after the exit of the gorillas)” exhibited at both the VAA Library and gallery AKADEMIJA in Vilnius, Lithuania (2020).
About this artwork+
In the artwork, there are multiple vibrant, red-orange lions captured in various poses, set against a cool, blue and purple background which drips downwards creating an effect of rain or cascading water. Each lion appears in a different state of movement or rest, with their manes and bodies vividly highlighted, standing out with a luminescent quality against the darker backdrop. Above, a large circular motif, possibly a representation of the sun or a celestial object, dominates the upper part of the composition, marked by shades of red and adorned with what seems to be symbolic or cryptic inscriptions. The overall mood of the painting is both dynamic and mystic, suggesting a scene that is otherworldly or caught in a space between the natural and the supernatural. The use of dripping paint and contrasting colors intensifies the dramatic effect, imbuing the scene with a sense of urgency and depth.
