Artwork in the room
Verdenė Monika Valkiūnaitė is a Lithuanian artist whose practice encompasses scenography, drawing, and painting. She received her bachelor’s degree in scenography from the Vilnius Academy of Arts in 2018, later earning her master’s from the same institution in 2021. Since completing her studies, she has continually produced new works and participated in exhibitions, both at home in Lithuania and abroad.
When painting, Valkiūnaitė aims to cultivate a distinctive style and expressive approach, often drawing inspiration from her early life. Her method includes assembling scenographic components on flat surfaces and reinterpreting the responsibilities of the scenographer by placing emphasis on crafting a sensual atmosphere throughout the canvas. She adopts a spontaneous and intuitive process, frequently forgoing preliminary sketches in favor of allowing her compositions to emerge organically.
A prominent feature of her art is the use of multiple layers, which give her canvases both depth and spatial complexity. She favors vivid, luminous colors, engaging with their contrasts and relationships to infuse her paintings with energy and playfulness. In organizing her exhibitions, Valkiūnaitė invites viewers to navigate the space, encounter unexpected barriers, and immerse themselves in environments that are simultaneously novel and intimate, often populated by captivating characters.
For Valkiūnaitė, perseverance and continuous exploration are more valuable than brief moments of inspiration. Her creative process involves gathering her experiences, reevaluating them, and subsequently interpreting them through her artwork. Among her significant solo exhibitions are “Savannid” at Jakobi galerii in Tartu, Estonia (2023), “Savanna and Other Spells” at Baltasis koridorius in Vilnius, Lithuania (2023), and “Planes (after the exit of the gorillas)” exhibited at both the VAA Library and gallery AKADEMIJA in Vilnius, Lithuania (2020).
About this artwork+
The painting illustrates an abstract depiction characterized by rhythmic, flowing lines that suggest movement, reminiscent of music waves or pulsations across the canvas. Dominantly warm earthy tones—brown, rust, and deep ochres—are contrasted with accents of white and pale blue, evoking a dynamic yet naturalistic feel. These hues blend and overlap, creating a layered effect. Multiple circular forms, possibly representing sound holes or drum surfaces, punctuate the composition. Their varying sizes and the dense clustering in some areas enhance the sense of rhythm and musicality implicit in the painting’s title. The overall mood is lively and vibrant, suggestive perhaps of the beats and patterns of percussion music.




















