Sergejus Želobčastas is an architect who has also cultivated his artistic abilities in various forms of painting, drawing, and graphic art. He demonstrates an impressive versatility, employing a wide array of materials and techniques—including oil paints, relief paste, the palette knife, acrylics, dry brush, synthetic canvas, and technical fabrics. Through this eclectic use of mediums and methods, he produces works that bridge both classic and contemporary artistic traditions.
His artistic repertoire encompasses several distinct styles, such as decorative painting, modernism, and abstractionism. Noted for his adaptability and willingness to experiment, Želobčastas consistently explores new genres. His dedication to working in varied styles reflects his commitment to continual innovation and the ongoing evolution of his creative practice.
Želobčastas’s professional journey is marked by a relentless pursuit of artistic exploration, a quest he regards as integral to his way of life. This sense of ongoing discovery is evident in the singular and dynamic character of his artwork, frequently imbued with movement and transition. His openness to new concepts and forms has enabled him to continually maintain a fresh and original perspective in his artistic career.
Sergejus Želobčastas’s art has appeared in numerous exhibitions, such as those held at Galerie Philippe Arman (Paris, 1995), Galerie Jean Moro (Brussels, 1995), Art Agents Gallery (Hamburg), and Vilniaus Pamėnkalnio galerija (Vilnius). His pieces have also entered collections in the United States, Japan, France, Belgium, Denmark, Germany, Norway, and Lithuania, which demonstrates the wide international recognition of his artistic accomplishments.
About this artwork+
The painting features a starkly lit composition where a glass of whiskey with a large, melting ice cube sits prominently to the left side. The whiskey casts a warm, amber glow, contrasting sharply with the surrounding elements. To the right, a surreal juxtaposition is presented with a small, agile creature, resembling a weasel, perched upon a human skull. The creature’s fur is detailed in smooth black and white tones, its eyes vivid and engaging, peering directly forward. Its paws rest curiously on the skull, which is depicted in a detailed, realistic style emphasizing the hollows and contours of the bone, creating a poignant contrast between life and death. The background is minimal, accentuating the dramatic interplay between the animate and inanimate subjects. The overall mood is one of contemplative darkness, hinting at themes of mortality and the fleeting nature of existence.
