Artwork in the room
Sergejus Želobčastas is an architect who has also cultivated his artistic abilities in various forms of painting, drawing, and graphic art. He demonstrates an impressive versatility, employing a wide array of materials and techniques—including oil paints, relief paste, the palette knife, acrylics, dry brush, synthetic canvas, and technical fabrics. Through this eclectic use of mediums and methods, he produces works that bridge both classic and contemporary artistic traditions.
His artistic repertoire encompasses several distinct styles, such as decorative painting, modernism, and abstractionism. Noted for his adaptability and willingness to experiment, Želobčastas consistently explores new genres. His dedication to working in varied styles reflects his commitment to continual innovation and the ongoing evolution of his creative practice.
Želobčastas’s professional journey is marked by a relentless pursuit of artistic exploration, a quest he regards as integral to his way of life. This sense of ongoing discovery is evident in the singular and dynamic character of his artwork, frequently imbued with movement and transition. His openness to new concepts and forms has enabled him to continually maintain a fresh and original perspective in his artistic career.
Sergejus Želobčastas’s art has appeared in numerous exhibitions, such as those held at Galerie Philippe Arman (Paris, 1995), Galerie Jean Moro (Brussels, 1995), Art Agents Gallery (Hamburg), and Vilniaus Pamėnkalnio galerija (Vilnius). His pieces have also entered collections in the United States, Japan, France, Belgium, Denmark, Germany, Norway, and Lithuania, which demonstrates the wide international recognition of his artistic accomplishments.
About this artwork+
The painting depicts a group of old, stately buildings that resemble a historic European cityscape, particularly reminiscent of architecture found in Vilnius, Lithuania. The distictive features include a series of baroque church facades with elaborate decorative details, highlighted by their ornate windows, sculptural elements, and multiple tiers of arched belfries and steeples. The tones of the painting are monochromatic, leaning towards sepia or ochre, giving the impression of age and timelessness. The texture is notably rough, with visible cracks and wear that suggest the patina of old walls, enhancing the overall antique and weathered look of the scene. The background is understated, deepening the focus on the architectural forms that are intricately rendered despite the weathering depicted.
