Sergejus Želobčastas is an architect who has also cultivated his artistic abilities in various forms of painting, drawing, and graphic art. He demonstrates an impressive versatility, employing a wide array of materials and techniques—including oil paints, relief paste, the palette knife, acrylics, dry brush, synthetic canvas, and technical fabrics. Through this eclectic use of mediums and methods, he produces works that bridge both classic and contemporary artistic traditions.
His artistic repertoire encompasses several distinct styles, such as decorative painting, modernism, and abstractionism. Noted for his adaptability and willingness to experiment, Želobčastas consistently explores new genres. His dedication to working in varied styles reflects his commitment to continual innovation and the ongoing evolution of his creative practice.
Želobčastas’s professional journey is marked by a relentless pursuit of artistic exploration, a quest he regards as integral to his way of life. This sense of ongoing discovery is evident in the singular and dynamic character of his artwork, frequently imbued with movement and transition. His openness to new concepts and forms has enabled him to continually maintain a fresh and original perspective in his artistic career.
Sergejus Želobčastas’s art has appeared in numerous exhibitions, such as those held at Galerie Philippe Arman (Paris, 1995), Galerie Jean Moro (Brussels, 1995), Art Agents Gallery (Hamburg), and Vilniaus Pamėnkalnio galerija (Vilnius). His pieces have also entered collections in the United States, Japan, France, Belgium, Denmark, Germany, Norway, and Lithuania, which demonstrates the wide international recognition of his artistic accomplishments.
About this artwork+
The painting depicts a scene bathed in a rich, golden hue, capturing an aged and weathered cityscape that radiates historic charm. Dominating the center is a robust, circular tower attached to what appears to be a large church or cathedral. The building is ornate, featuring archaic architectural details like arched windows and heavy, formidable doors that suggest a religious or significant civic structure. Surrounding this central edifice are other smaller, similarly styled buildings that convey the dense packing of a historical town. The entire scene is overlaid with crackling patterns, suggesting an old and delicate fresco or wall, infusing the artwork with a sense of antiquity and the passage of time. The textured finish enhances the atmospheric and almost mystical quality of the painting, evoking a sense of reverence and awe.
