Sergejus Želobčastas is an architect who has also cultivated his artistic abilities in various forms of painting, drawing, and graphic art. He demonstrates an impressive versatility, employing a wide array of materials and techniques—including oil paints, relief paste, the palette knife, acrylics, dry brush, synthetic canvas, and technical fabrics. Through this eclectic use of mediums and methods, he produces works that bridge both classic and contemporary artistic traditions.
His artistic repertoire encompasses several distinct styles, such as decorative painting, modernism, and abstractionism. Noted for his adaptability and willingness to experiment, Želobčastas consistently explores new genres. His dedication to working in varied styles reflects his commitment to continual innovation and the ongoing evolution of his creative practice.
Želobčastas’s professional journey is marked by a relentless pursuit of artistic exploration, a quest he regards as integral to his way of life. This sense of ongoing discovery is evident in the singular and dynamic character of his artwork, frequently imbued with movement and transition. His openness to new concepts and forms has enabled him to continually maintain a fresh and original perspective in his artistic career.
Sergejus Želobčastas’s art has appeared in numerous exhibitions, such as those held at Galerie Philippe Arman (Paris, 1995), Galerie Jean Moro (Brussels, 1995), Art Agents Gallery (Hamburg), and Vilniaus Pamėnkalnio galerija (Vilnius). His pieces have also entered collections in the United States, Japan, France, Belgium, Denmark, Germany, Norway, and Lithuania, which demonstrates the wide international recognition of his artistic accomplishments.
About this artwork+
In the painting, a giant, ghostly pale hand emerges from the darkness above, its fingertips gently holding a slender string. This string descends into the center of the image where it appears to be attached to a guillotine, an apparatus historically used for execution, rendered here in miniature scale. The guillotine is precisely detailed, with a visible blade set against a stark, wooden frame which houses two small, round mirrors or lights at its base, adding an eerie element to the structure. Off to the side, a rat with slick, black fur and sharp, alert features stands on its hind legs, its eyes intensely focused on the guillotine, seemingly captivated or enticed by it. The overall atmosphere of the scene is dark and foreboding, laden with a sense of impending danger and the stark play of temptation.
