Sergejus Želobčastas is an architect who has also cultivated his artistic abilities in various forms of painting, drawing, and graphic art. He demonstrates an impressive versatility, employing a wide array of materials and techniques—including oil paints, relief paste, the palette knife, acrylics, dry brush, synthetic canvas, and technical fabrics. Through this eclectic use of mediums and methods, he produces works that bridge both classic and contemporary artistic traditions.
His artistic repertoire encompasses several distinct styles, such as decorative painting, modernism, and abstractionism. Noted for his adaptability and willingness to experiment, Želobčastas consistently explores new genres. His dedication to working in varied styles reflects his commitment to continual innovation and the ongoing evolution of his creative practice.
Želobčastas’s professional journey is marked by a relentless pursuit of artistic exploration, a quest he regards as integral to his way of life. This sense of ongoing discovery is evident in the singular and dynamic character of his artwork, frequently imbued with movement and transition. His openness to new concepts and forms has enabled him to continually maintain a fresh and original perspective in his artistic career.
Sergejus Želobčastas’s art has appeared in numerous exhibitions, such as those held at Galerie Philippe Arman (Paris, 1995), Galerie Jean Moro (Brussels, 1995), Art Agents Gallery (Hamburg), and Vilniaus Pamėnkalnio galerija (Vilnius). His pieces have also entered collections in the United States, Japan, France, Belgium, Denmark, Germany, Norway, and Lithuania, which demonstrates the wide international recognition of his artistic accomplishments.
About this artwork+
In the painting, an urban scene unfolds in a dimly lit underpass, dominated by shades of black and grey with striking pops of color. A bright orange vehicle, resembling a robust, modern SUV, is in the foreground. Standing prominent against this shadowy backdrop is a woman with a mohawk. She wears a black tank top with a person's face printed on it, paired with striped shorts and knee-high socks. Accompanying her are two large, attentive dogs. The walls around them are adorned with various graffiti, the most prominent being a peace sign and the words "STOP WAR." There's a sense of movement and depth, with people shown in various actions: a crouching man to the left, whose demeanor suggests despair, and a small group of shadowy figures silhouetted against the light in the distance. A large, orange balloon floats upward, injecting a surreal element into the gritty environment. This balloon casts a glow, providing a stark contrast to the stark, angular lines of the architecture. A drone-like object flying overhead adds a touch of modern surveillance or threat. The overall atmosphere blends elements of protest, urban decay, and a haunting stillness, creating a narrative that speaks to themes of conflict, surveillance, and the human spirit.
