Artwork in the room
Rytas Jurgelis, a prominent Lithuanian artist, has been a member of the Union of Lithuanian Artists since 1995. Over the course of his career, he has held almost thirty solo exhibitions, presenting his work throughout Lithuania and abroad. His ongoing engagement with the arts scene underscores both his substantial contribution and the recognition he has earned within the artistic community.
Jurgelis’s paintings stand out for their distinct treatment of color and texture and for his steadfast admiration of geometric shapes, particularly the square. This combination produces an impressive range of artwork, yet there remains a gentle lyricism unmistakable in his style. By repeatedly incorporating squares, he brings both structure and formal clarity to his compositions.
Instead of emphasizing color contrasts, Jurgelis seeks harmony and the combined effect of hues. In his art, color becomes a vehicle for conveying emotional states, enriched by the tangible specifics of oil paint. He highlights the material nature of his medium through various finishes—matte or glossy—as well as through texture, sgraffito, and pronounced relief. Through a careful process of adding layer upon layer, he achieves surfaces that distinctly display their method of creation, appealing to both the eye and the touch.
These densely layered, textured surfaces do more than create unique visual and emotional environments—they also suggest connections to other senses, like taste or scent. Each square field in his paintings serves as a platform for emotional interplay or unspoken stories, encouraging viewers to interpret them through the lens of their own experience. Jurgelis subtly directs the viewer’s response with gentle hints, while deliberately maintaining ample room for personal interpretation and emotional engagement.
About this artwork+
This painting features a multi-textured, abstract composition reminiscent of a torn or fragmented landscape. The use of thick, viscous paint is evident, applied in layers that vary in color and impasto. The colors transition from earthy browns and dark greys at the upper part, which may suggest a turbulent sky or rugged terrain, to more vibrant tones of orange, yellow, and blue towards the center and right which might represent a dynamic, possibly sunlit area of the landscape. The painting's lower sections are dominated by cooler shades of white and blue-grey, hinting at water or open spaces in the landscape. The overall effect is one of dynamic motion and rugged natural forms, as though viewing a landscape undergoing transformation or viewed through a distorted lens. The edges of the canvas are rough and uneven, adding to the raw, unrefined nature of the scene depicted.




















