Details

Materials
Oil on canvas
Dimensions
24 × 30 cm
Signature
Hand-signed by the artist
Certificate of authenticity and return guarantee

Certificate of authenticity

Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.

Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.

30-day return guarantee

Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.

Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!

Delivery

Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.

Returns

As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.

Artwork in the room

Rūta Levulienė

Rūta Levulienė(78)

All artworks

Rūta Levulienė is an artist whose paintings investigate the connections among the environment, nature, and people. In her work, she addresses themes of fresh air and the vital bond linking humanity to the natural world. Drawing on motifs from a distilled reality and utilizing sources such as photographs, internet imagery, and video materials, she weaves intricate and meaningful dialogues between humans and nature.

In her creative process, Levulienė combines elements of fragmentation and unity within these relationships. Frequently, her compositions feature fragmented spaces and figures, highlighting the apparent separation between humans and nature. At other times, she leans towards depicting more peaceful and solid spaces that evoke a sense of harmony and calm. This interplay is characteristic of her style, balancing dynamic energy with tranquil moments.

Her painting technique is just as expressive, making use of both thick, pastose brushstrokes and delicate, thin layers of paint. Levulienė often rubs pigment into the canvas, resulting in a tactile surface that recalls the invigorating feeling of fresh air. Through this sensory approach, her works convey rejuvenation and visually depict emotional renewal—what she refers to as refreshment for the soul.

Rūta Levulienė's art has been shown in Lithuania, Ireland, Norway, and the United States. She has presented nine solo exhibitions, participated in twenty group shows, and joined eight plein air painting events, underscoring her active presence within both local and international art communities.

  • This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania
About this artwork+

The painting presents a visually fragmented composition, centered around a glass bottle that acts almost as a mirror or lens, distorting and dividing what lies behind it. Through the clear cylinder of the bottle, we see a sharply detailed face, possibly of a man, rendered with an elongated nose and noticeable lips marked by a distinctive red color, suggesting lipstick. This face is bifurcated by the edges of the bottle, creating a surreal and almost cubist effect. The person seems to be in an indoor setting suggested by architectural elements like arched structures lightly hinted at in the background. Around the bottle, the scene becomes more abstract and painterly, dominated by green and earthy tones that might suggest a connection to nature or a less urban setting—perhaps a garden or a park. These areas are less defined, allowing the viewer's eye to focus primarily on the detailed, expressive face within the bottle's confines. The use of lighting and shadows around the face gives it a three-dimensional appearance, adding depth and intensity to the overall muted color palette of the painting. This artistic choice might be prompting viewers to focus on personal reflection or distortion through societal lenses.