Artwork in the room
Romanas Averincevas is recognized for a unique style best characterized as primitive expressionism. His paintings are instantly identifiable by their bold, unfiltered use of color and their direct, unapologetic vigor. He often employs a visual language marked by thick, pronounced black contours, a technique reminiscent of Paul Gauguin and the early Expressionist movement. This method imparts his works with a clarity and intensity that accentuate both structure and emotion.
Averincevas finds inspiration in a wide range of everyday experiences and formative memories. Every artwork he produces unfolds its own story, shaped by the artist’s distinct viewpoint. Frequently, his paintings encapsulate instances from his numerous travels and artistic explorations, weaving narratives that transcend straightforward depiction. By offering these glimpses into ordinary life, he encourages viewers to engage with the people, events, and emotions brought to life in his art.
At the heart of Averincevas’s work are people and their relationships. He examines the subtleties of human feelings, endeavoring to reveal the inner lives of his subjects. His approach is marked by sincerity—rather than avoiding the potential for misunderstanding, he accepts it as an intrinsic part of genuine self-expression. He wishes viewers to have confidence in his perspective and hopes they are inspired to connect emotionally with the narratives present in his work.
Romanas Averincevas has actively contributed to the professional art scene since 2004. He has participated in various group exhibitions and has also presented six solo exhibitions to date. These venues have allowed his assertive, expressive artworks to reach a broader public, securing his place within the world of contemporary art.
About this artwork+
This painting hosts an eclectic blend of imagery, adorned with bold and somewhat clashing colors. On the left side, two face-like figures seem to be constructed with roughly applied paint, their features blending together in a wash of red, brown, and yellow tones that give a sensation of distortion or merging. One figure appears to be smoking, as indicated by a white, wavy line that could be interpreted as smoke trailing from its nose. In contrast, the right side shifts to darker themes. A somber, metallic skeleton stands centrally, marked by its shiny, silvery head and neon green torso, which stands out against the prevailing dark, earthy tones of the backdrop. The green of the torso carries down subtly into the hips and limbs, infusing life into what would typically symbolize death. Near this figure is a skull, situated next to the ominously large numbers "12 8" painted in bold white on a black background, evoking the sense of a mysterious or significant count. Above this disquieting assembly flies a script-like symbol, possibly a "Ma," splashed in yellow against a haphazard background that shifts from light green, orange, to deep red, framing the entire scene with a hauntingly raw, energetic aura. The overall composition straddles a line between chaotic beauty and unsettling imagery, reflecting perhaps on themes of life, death, and the undefined substance in between.
