Artwork in the room
Rima Rusinova was born in Vilnius in 1959. From an early age, she displayed a keen interest in drawing, which set her on a creative course during her childhood. This enthusiasm prompted her to seek formal training in art within her native city.
She completed her studies at the Vienožinskis art school in Vilnius in 1981, graduating after a four-year program. While at the school, she studied under the guidance of prominent artists such as A. Švėgžda and I. Piekuras, whose mentorship greatly influenced her artistic growth and skill.
Rima Rusinova’s work is primarily focused on landscapes, still lifes, and portraits. She is particularly drawn to depicting people and nature, regarding them as inseparable themes. Through her distinctive outlook, she conveys what matters most to her, frequently weaving motifs from her beloved Vilnius into her artwork to reflect her strong bond with the city.
Active in the art world since 1995, she has held 13 solo exhibitions and has contributed to numerous group shows. In 2013, she became a member of LTS, and in 2016, she was officially recognized as an art creator by the Ministry of Culture of the Republic of Lithuania, in acknowledgment of her achievements in Lithuanian art.
About this artwork+
The painting depicts St. Casimir's Church, portrayed under a vibrant, expansive blue sky scattered with soft, fluffy clouds. This architectural masterpiece is rendered in soft pastel colors. The church itself boasts a large central dome that dominates the structure, topped with a smaller dome and a cross, all rendered in shades of green, white, and gold, suggesting a touch of opulence. Surrounding the central dome are various rounded and peaked rooftops and a smaller dome, indicative of a traditional church layout. The church buildings are captured in a warm palette of peach, cream, and soft yellow tones, with shadows cast in gentle blue, giving the scene a serene and peaceful atmosphere. There is a detail of stonework near the foundation of the church and well-maintained greenery around the building. The composition skillfully plays with perspective, with several buildings interconnected yet each distinguished by subtle variations in color and form. The frame surrounding the picture is simple and elegant, complementing the painting without overwhelming it. The entire piece is filled with a sense of calm and reverence, inviting the viewer to appreciate both the spiritual and aesthetic value of this sacred architecture.
