Artwork in the room
Rebecca Đuran-Šilėnas (b. 1991), known as Bekki, is a Croatian artist whose contemporary approach showcases a distinct interplay between vibrant colour and deconstructed space. In her striking paintings, she takes on the role of a conductor, bringing together elements of beauty, impulse, and modern aesthetics to create a vivid celebration of colour. Her works reflect a continuous investigation into the interplay between structure and spontaneity across the painted surface.
Bekki’s method blends expressive colour spots with graphic and linear details, producing dynamic contrasts that still preserve a sense of openness. She deftly alternates between broad, sweeping gestures and meticulous details, achieving a nuanced balance of control and freedom within her paintings. Although she primarily uses acrylics, Rebecca seeks to replicate the fluidity and translucency typical of watercolour, resulting in canvases with a light, airy effect.
Rebecca’s paintings are infused with an unmistakable sense of movement and compositional vitality, inviting viewers to interact with both the images themselves and the spaces that surround them. She intentionally leaves aspects open to interpretation—her suggestive titles provide clues rather than clear answers, fostering an ongoing dialogue in which each viewer contributes to the artwork’s evolving significance.
Rebecca Đuran-Šilėnas earned her Master’s degrees from both the Academy of Fine Arts in Rijeka, Croatia, and the Vilnius Academy of Fine Arts. Her work has appeared in group exhibitions in Croatia and abroad, allowing her to establish herself in various artistic settings. Since 2017, she has resided in Vilnius, Lithuania, where she continues to expand her artistic vision.
About this artwork+
The painting presents a vibrant, abstract composition dominated by a large, yellow circular form that resembles a fruit or a whimsical, oversized balloon. Attached to this yellow shape is a smaller, blot-like form rendered in deep blue with patches of lighter blues, giving it a fluid and somewhat organic appearance. A delicate black line, perhaps suggesting a stem or string, extends upwards from the top of the yellow shape. The background is a playful array of dots, smudges, and loose forms in black and a spectrum of pastels, including pink and light blue, creating a sense of lively movement. The use of negative space and sporadic placement of elements around the central forms adds to the dynamic and cheerful energy of the work.




















