Details
- Author
- Ramūnas Petrusevičius
- Materials
- Etching, aquatint
- Dimensions
- 33 × 22 cm
- Signature
- Hand-signed by the artist
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Artwork in the room
Ramūnas Petrusevičius was born on March 22, 1987, in Širvintai, Lithuania. His early fascination with the arts would eventually shape both his educational path and career. He graduated from Musninkai Secondary School in 2006, which established the groundwork for his future creative pursuits.
From 2007 to 2010, Ramūnas attended Vilnius College of Technologies and Design, where he studied graphic design. Throughout these years, his enthusiasm for graphic arts truly blossomed. He became part of a community of students who shared similar interests, seeking out experiences beyond the formal curriculum and engaging in collaborative projects to explore new artistic techniques and forms.
Gravure graphic techniques serve as the main focus of his artistic work, a field demanding both creative insight and precise technical skill. Nonetheless, Ramūnas has earned recognition for his experimental approach, frequently integrating materials like linen, wood, and cardboard into his creations. This adaptability underscores his dedication to expanding the possibilities of traditional graphic art and his openness to novel methods.
In 2014, his skill and commitment were acknowledged at the twenty-third libris exhibition, where he was awarded a Young Artist Diploma. This recognition marked his rising influence within the graphic art world. Ramūnas Petrusevičius remains devoted to refining his abilities, drawing on his graphic design background and persistent creative curiosity.
About this artwork+
The painting depicts a clustered arrangement of houses forming a densely packed village. The houses vary in size and style but are largely rendered in monochromatic shades, primarily black and white. The texture suggests the houses may be rustic or old. Within the cluster, some windows are brightly lit, suggesting life and activity inside. There is a visible contrast in the shading of the houses, with some façades highlighted more prominently, giving a sense of depth and layering. Dominating the skyline behind the village are abstract patterns resembling the contours of hills or clouds, merging into what looks like a night sky. There is an absence of explicit images of the moon, yet its presence is implied by the lightness in the sky and the luminance on some of the buildings and surfaces. The techniques used suggest an ink or fine pen, with detailed line work and a careful balance between solid areas of black and intricate textural details. Overall, the scene captures a quiet, possibly late evening in a densely built village with an emphasis on architectural forms and a hint of natural elements through stylized representations.
