Orinta Klimaitė is a dermatovenerology resident who also serves as a prosector at the Institute of Anatomy at the Lithuanian University of Health Sciences (LSMU). Her profound involvement with anatomy and the human body deeply informs her creative endeavors, granting her a distinctive scientific perspective from which she delves into the physical and conceptual intricacies of human form.
Over the course of her academic journey, Orinta has become thoroughly absorbed by the complex and harmonious design of the human organism. She is fascinated by the way every organ and system fulfills its particular role, adapts to various changes, and works to sustain homeostasis. Nonetheless, amid this precisely functioning system, she finds herself drawn to the enigmatic presence of the human soul—shapeless and elusive, defying scientific understanding.
Orinta’s art is a continuous exploration of the duality inherent in every individual. Through her creations, she strives to unveil the tension, contrasts, and ambiguities within a single body as it seeks out its genuine essence. By challenging external expectations and established societal standards, her art portrays the internal battle to retain one’s individuality and personal identity.
Her artistic purpose centers on remaining faithful to herself and her true nature, while openly embracing vulnerability and sincere emotion. Orinta aspires to inspire audiences to contemplate the strength it takes to uphold authenticity, to reject conformity, and to accept the full depth of their own emotions without fear.
About this artwork+
The painting features an abstract, whimsical depiction of a human-like figure intertwined with or emerging from nature. The figure is simplified, contorted in a flowing, somewhat organic form, streamlined with no distinct facial features and appendages that blend ambiguously into the surrounding elements. It is painted in a light, beige color set against a vibrant green background that represents the meadow, filled with subtle hints of floral or plant life. Encircling the figure are loose, vine-like green lines that suggest the figure is either bound by or sprouting these natural elements. Four white birds, stylized with a touch of playfulness, appear actively engaged around the figure—some positioned as if perched on the outline of the body, others in motion. The overall tone of the artwork is one of harmony between the human form and the natural world, portrayed in a style that borders the fantastical and the surreal.




















