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Nomeda Balasevičiūtė

Nomeda Balasevičiūtė(65)

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Nomeda Balasevičiūtė was born in Kaunas, Lithuania, and has remained there throughout her life. Her love for the arts blossomed during her childhood, as she attended a local music school before enrolling at the M. Martinaitis Art School. Early on, Nomeda aspired to illustrate children's books, a dream she would ultimately achieve.

Nomeda graduated from the Vilnius Academy of Arts (formerly the State Art Institute of Lithuania) in 1988. Soon after, she started her career as an illustrator for "Genys" magazine and the children's newspaper "Tukas." Motivated by the wish to connect with young readers, she created a newspaper for her daughter Jūratė and her friends, calling it "Pepė." This initiative grew into a magazine and paved the way for the publication of Nomeda's own children's books, many of which she both wrote and illustrated.

Nomeda Balasevičiūtė teached design at Kaunas College, an institution that offers higher education in areas such as technology, social sciences, biomedicine, humanities, and the arts. Through her instruction, she contributes to the cultivation of a new generation of creative talent in Lithuania.

Nomeda is presently devoted to oil painting, where the hallmarks of her illustration background are frequently evident in her work. Alongside her painting, she delves into other creative pursuits, including sculpture, transforming recyclable materials through inventive “constructive conversations” to produce singular pieces of art.

About this artwork+

The painting depicts a woman dressed in a flowing red robe, turned slightly to the viewer as she looks over her shoulder. Her dark hair is swept up elegantly. She is holding a pale blue bowl in her hands, perhaps preparing to feed the small brown tabby cat that strides confidently along the edge of a sunlit stair beside her. Soft, muted colors blend throughout the background, creating a gentle ambiance that contrasts with the vivid red of her attire. Emotion and a serene domestic moment are captured in the brushstrokes, conveying a sense of quiet daily life.