Artwork in the room
Natalie Levkovska is a gifted Lithuanian painter and illustrator whose experience in the arts is both varied and rich. Her journey began at the Abramtsevo College of Applied Arts, where she completed a degree in stone, bone, and wood processing in 1995. Levkovska went on to broaden her artistic horizons at the Vilnius Academy of Arts, graduating in 1999 with a degree in costume design. Early in her career, she worked as a costume designer for the film industry and later as a fur designer, showcasing her adaptability and mastery across multiple creative sectors.
In 2006, Natalie Levkovska started a notably new phase of her life when she moved to London. While working in a design studio, she began exploring oil painting, experimenting with fresh techniques and forms of creative expression. This transition marked the origin of her path as a visual artist, blending traditional skills with the inventive energy of modern painting.
Levkovska’s work stands out for its poetic simplicity, influenced by both surrealism and naive art. Her distinct approach is anchored in magic realism, presenting ordinary subjects with a whimsical sense of humor and a touch of self-irony. Through her paintings, she aims to uncover and display the magical essence hidden within daily life, inviting viewers to perceive the world with curiosity and playfulness.
Over the course of her career, Natalie Levkovska has presented 21 solo exhibitions and has been an active participant in numerous painting and drawing events. Her art has drawn the interest of collectors and art lovers alike, with many of her pieces now found in private collections. Levkovska’s commitment to her practice and her unmistakable artistic perspective have established her as a significant figure in contemporary art.
About this artwork+
In the painting, a nude woman with her back partially turned towards the viewer, reclines leisurely on a ground that fades from a blush pink to a pale teal. Her skin bears light scribbles, possibly representing scars or body art, and her hair is loosely tied up, exposing the nape of her neck. Opposite her, a white tiger with black stripes paces, bearing a focused expression, with three question marks floating above its head, suggesting curiosity or bewilderment. On the left, closer to the woman, lies a traditional red-handled broom, while a small bird in flight is captured on the right side of the scene. The background is layered with cursive handwritten text, creating a texture over which the figures are superimposed. This script, indecipherable and blended into the hues of the scene, adds an element of mystery and depth.
