Artwork in the room
Natalie Levkovska is a gifted Lithuanian painter and illustrator whose experience in the arts is both varied and rich. Her journey began at the Abramtsevo College of Applied Arts, where she completed a degree in stone, bone, and wood processing in 1995. Levkovska went on to broaden her artistic horizons at the Vilnius Academy of Arts, graduating in 1999 with a degree in costume design. Early in her career, she worked as a costume designer for the film industry and later as a fur designer, showcasing her adaptability and mastery across multiple creative sectors.
In 2006, Natalie Levkovska started a notably new phase of her life when she moved to London. While working in a design studio, she began exploring oil painting, experimenting with fresh techniques and forms of creative expression. This transition marked the origin of her path as a visual artist, blending traditional skills with the inventive energy of modern painting.
Levkovska’s work stands out for its poetic simplicity, influenced by both surrealism and naive art. Her distinct approach is anchored in magic realism, presenting ordinary subjects with a whimsical sense of humor and a touch of self-irony. Through her paintings, she aims to uncover and display the magical essence hidden within daily life, inviting viewers to perceive the world with curiosity and playfulness.
Over the course of her career, Natalie Levkovska has presented 21 solo exhibitions and has been an active participant in numerous painting and drawing events. Her art has drawn the interest of collectors and art lovers alike, with many of her pieces now found in private collections. Levkovska’s commitment to her practice and her unmistakable artistic perspective have established her as a significant figure in contemporary art.
About this artwork+
The painting portrays a slender, bald figure standing in a dynamic pose on a muted teal-colored geometric shape that looks like a platform or shadow. His body exhibits detailed musculature and sinew, depicted with delicate line work that creates a sense of detailed anatomy under his skin. The figure's expression is contemplative, with eyes looking off to the side, and he stands with one leg slightly ahead of the other, suggesting motion or readiness to step forward. His skin and the platform he stands on contrast sharply with the flat gray background that surrounds him, emphasizing his form. He is nude except for a small, loosely draped cloth covering his lower body. The overall tone of the work feels both raw and introspective.




















