I was born in 1990 in Šilutė, into an artistic family – my father is a painter and ceramicist, and my mother paints folk art works featuring the Tree of Life motif. These roots shaped my love for ancient history and painting.

I graduated in Visual Arts from Klaipėda University, specializing in painting. I have participated in group exhibitions, performances, and art exchange projects both in Lithuania and abroad. After my studies, I founded the ceramic brand Monai Studio, where I created contemporary ceramics inspired by folklore and presented them at international exhibitions and art fairs.

Although I have created extensively in the field of ceramics, painting has always remained an inseparable part of my life. For the past several years, I have been working in my painting studio, where I explore philosophical concepts, experiment with techniques, and seek new forms to embody ideas. In creating abstract, meditative paintings, I search for a sense of connection with my surroundings and with others. I explore intense sensations, questioning whether they are universal and whether I can find a common ground to create a shared experience. I am drawn to phenomenology, dualism, and symbolic thinking – ways in which we shape our personal reality under the influence of both environment and the constructs of the mind. Painting, to me, is more than applying paint to a surface. It is experimentation, deep listening, observation, and wonder. The process becomes intertwined with life itself – I paint while I read, watch, converse, remember, and feel. It is a living, growing, and ever-changing act, born from thought, experience, and the desire to share what I have lived through.

I create my meditative abstract paintings by combining various techniques – pouring and splashing acrylic inks, applying thick acrylic paint with brushes, sponges, palette knives, or rollers, and engraving fine lines with a pigmented pencil. I aim for vibrancy, depth of texture, and contrast between fine details and large painted areas. I seek balance between spontaneity and controlled gestures, carefully choosing colors to express emotion. I paint slowly, in layers, allowing space to gradually deepen and take shape. I discover the rhythm and harmony of the work. I choose unprimed canvas or natural linen to enhance the texture, letting the painting breathe without covering it with a thick layer of varnish. The matte, textured surface adds a new aesthetic dimension – a sense of fullness.