Details
- Author
- Miglė Kosinskaitė
- Materials
- Oil on canvas
- Dimensions
- 160 × 120 cm
- Signature
- Hand-signed by the artist
- Ready to hang
- Yes
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Artwork in the room
Miglė Kosinskaitė (b. 1965, Vilnius, Lithuania) is a renowned painter currently residing and working in Kaunas, Lithuania. She graduated from the Painting Department of the Vilnius Academy of Arts in 1989. Her professional recognition was further established when she joined the Lithuanian Artists’ Association in 2001.
Kosinskaitė’s works have been showcased not only in Lithuania but also abroad, with solo exhibitions in the Netherlands, Russia, Ukraine, and Sweden. These international exhibitions have brought her art to a broad audience, underscoring her role in the European contemporary art landscape.
Her paintings are noted for their realistic depictions of people and animals, frequently set against geometric patterns and surreal elements. By combining these aspects, she creates a compelling visual language that fuses realism with surrealism, encouraging viewers to enter her creative universe. The prominent use of bold shapes and motifs further enhances the distinctive mood of her pieces.
Theatricality features strongly in Kosinskaitė’s works, where images of masks and costumes are commonly found. She persistently examines themes of femininity, conveying sensuality, romance, and emotional richness. Through such themes, her paintings achieve both visual allure and intellectual depth.
Lithuanian Artists’ Association Member
This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania
TOP 15
International exposure
Nationally known
Featured By Gallery
About this artwork+
The painting depicts a nighttime scene composed of industrial and geometric aesthetics with a hint of mysterious allure. Dominated by muted grays, blacks, and whites, the image features architectural structures with angular and stark forms, possibly rooftops or abstract constructions. In the background, a deep mauve sky contrasts with these elements, enhancing the overall mood of secrecy and quiet tension. Glowing warm yellow lights punctuate the scene, reflecting off what appears to be wet surfaces, adding a shimmering quality to the image. A single dark, submarine-like form rests obscurely in the lower middle, adding to the enigmatic vibe. This element looks slightly out of place or covert, akin to hidden dealings or unspoken activities suggested by the painting's title, "Conspiracy theory." The blurred boundaries and shadowy foliage to the right further contribute to an atmosphere of isolation and intrigue.
