Artwork in the room
Marius Strolia is a celebrated Lithuanian artist renowned for his vibrant and versatile creative approach. He has been a member of the Lithuanian Artists' Union since 1999 and joined the "Individualists" painters’ section in 2016. His artistic oeuvre encompasses a broad spectrum of media—painting, printmaking, sculpture, assemblage, collage, installation, and photography—all demonstrating his relentless pursuit of fresh forms and techniques.
Strolia’s works are frequently on display not only in established galleries but also in alternative venues such as shops, parks, and hotels. He actively participates in international land art exhibitions and plein air events, emphasizing his receptiveness to varied settings and audiences. By engaging with these diverse platforms, he brings art into unexpected everyday contexts and connects with viewers in novel ways.
Well known for the creative variability that distinguishes his techniques and modes of expression, Strolia often experiments with innovative formats and is continuously refining his artistic approach. His inspiration is deeply rooted in the complex, evolving interplay between nature and humankind. This is reflected in the scope of his themes, ranging from landscapes and abstractions to series focused on the human figure, each illustrating the ongoing evolution of his artistic pursuits.
His enduring fascination with mythological themes has its origins in his sustained interest in the archaeomythological research of Professor Maria Gimbutiene. This influence is clearly seen in his use of mythological imagery and references to ancient Neolithic goddess sculptures. Strolia’s work has been showcased in international exhibitions across Bulgaria, Poland, Germany, and Italy, and is held in private collections in Lithuania, Poland, Japan, Germany, and the Czech Republic.
About this artwork+
The painting presents a visually rich and intricate view of what appears to be a mechanical or architectural structure, portrayed within an almost globular, encompassing format. Dominated by shades of blue that range from azure to deep oceanic hues, the artwork boasts layers of linear and radial patterns that create a vibrant sense of movement and depth. These patterns oscillate between delicate, thread-like forms and robust, beam-like structures, fostering a dynamic interaction between lightness and solidity. Central to the design is a juxtaposition of forms—a part seems to push outward in a burst of kinetic energy, while another section at the bottom suggests a more methodical, rhythmic array of shapes reminiscent of mechanical gears or parts of a machine. This interplay, rich in both color and form, gives the painting a surreal, otherworldly essence, as if we are peering into a dissected view of a complex, alien mechanism or gazing through a portal to another dimension.
