Details
- Author
- Majd Kara
- Materials
- acrylic on canvas
- Dimensions
- 80 × 100 cm
- Signature
- Hand-signed by the artist
- Ready to hang
- Yes
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Majd Kara, a contemporary painter originally from Syria, currently lives in Vilnius, Lithuania. He completed his studies at the Faculty of Fine Arts at Damascus University, where he laid the groundwork for his artistic journey. Since moving to Lithuania in 2016, Kara has continued to develop his practice and expand his presence in the European art scene, having held three solo exhibitions and taken part in numerous group shows.
The idea of human transformation and spiritual rebirth lies at the heart of Kara’s art. He delves into the ways individuals experience profound changes over time, shaped by a range of external and internal influences such as society, religion, politics, and personal life events. For the artist, each painting represents a glimpse into a particular stage or aspect of this ongoing cycle of transformation.
Kara’s artistic language is distinguished by his portrayals of bodies that appear fragmented or deformed. In many of his works, the human figures are broken into sections, often missing heads or with heads replaced by lively flows of color. With this method, he alludes to both the erasure or alteration of identity and the notion that true transformation is not limited to the mind alone. The persistent presence of blood-red hues alludes to the suffering and inevitability accompanying change, underscoring that both spiritual and personal rebirth are difficult but inescapable processes.
By employing unconventional shapes, inventive compositions, and vivid colors, Majd Kara seeks to both challenge and captivate his viewers. His artwork urges the audience to contemplate their own experiences of transformation, inviting a deeper exploration of what it truly means to adapt and grow amid the complexities of life.
About this artwork+
The painting depicts a surreal, mask-like figure set against a soft blue background. The mask is predominantly white and appears to be disintegrating or melting, with strands or drips flowing upward into the air, giving it an ethereal quality. One eye of the mask is large and hollow, while the rest of the facial features are obscure and indistinct. The figure is dressed in a striking red garment with a high collar, contrasting vividly with the paleness of the mask and the cool tone of the background. The overall atmosphere is haunting and dreamlike, invoking a sense of ending or dissolution.




















