Majd Kara, a contemporary painter originally from Syria, currently lives in Vilnius, Lithuania. He completed his studies at the Faculty of Fine Arts at Damascus University, where he laid the groundwork for his artistic journey. Since moving to Lithuania in 2016, Kara has continued to develop his practice and expand his presence in the European art scene, having held three solo exhibitions and taken part in numerous group shows.
The idea of human transformation and spiritual rebirth lies at the heart of Kara’s art. He delves into the ways individuals experience profound changes over time, shaped by a range of external and internal influences such as society, religion, politics, and personal life events. For the artist, each painting represents a glimpse into a particular stage or aspect of this ongoing cycle of transformation.
Kara’s artistic language is distinguished by his portrayals of bodies that appear fragmented or deformed. In many of his works, the human figures are broken into sections, often missing heads or with heads replaced by lively flows of color. With this method, he alludes to both the erasure or alteration of identity and the notion that true transformation is not limited to the mind alone. The persistent presence of blood-red hues alludes to the suffering and inevitability accompanying change, underscoring that both spiritual and personal rebirth are difficult but inescapable processes.
By employing unconventional shapes, inventive compositions, and vivid colors, Majd Kara seeks to both challenge and captivate his viewers. His artwork urges the audience to contemplate their own experiences of transformation, inviting a deeper exploration of what it truly means to adapt and grow amid the complexities of life.
About this artwork+
A singular tent-like structure with red and brown hues floats center stage on a vast expanse of water. The surface of the water is painted with a reflective white line that encapsulates the base of the structure, giving it an appearance of buoyancy amidst the dark, deep water. Above, a tranquil blue sky stretches unblemished, divided sharply from the water by a razor-thin horizon. The overall minimalism and the restricted color palette invoke a serene, almost meditative quality, suggesting isolation and peace. A thin, delicate line ascends from the pinnacle of the tent, reaching upwards, hinting at either fragility or a connection to something unseen in the expanse of the blue above.
