Majd Kara, a contemporary painter originally from Syria, currently lives in Vilnius, Lithuania. He completed his studies at the Faculty of Fine Arts at Damascus University, where he laid the groundwork for his artistic journey. Since moving to Lithuania in 2016, Kara has continued to develop his practice and expand his presence in the European art scene, having held three solo exhibitions and taken part in numerous group shows.
The idea of human transformation and spiritual rebirth lies at the heart of Kara’s art. He delves into the ways individuals experience profound changes over time, shaped by a range of external and internal influences such as society, religion, politics, and personal life events. For the artist, each painting represents a glimpse into a particular stage or aspect of this ongoing cycle of transformation.
Kara’s artistic language is distinguished by his portrayals of bodies that appear fragmented or deformed. In many of his works, the human figures are broken into sections, often missing heads or with heads replaced by lively flows of color. With this method, he alludes to both the erasure or alteration of identity and the notion that true transformation is not limited to the mind alone. The persistent presence of blood-red hues alludes to the suffering and inevitability accompanying change, underscoring that both spiritual and personal rebirth are difficult but inescapable processes.
By employing unconventional shapes, inventive compositions, and vivid colors, Majd Kara seeks to both challenge and captivate his viewers. His artwork urges the audience to contemplate their own experiences of transformation, inviting a deeper exploration of what it truly means to adapt and grow amid the complexities of life.
About this artwork+
The painting depicts a strikingly mystical subject, centrally featuring an ornate structure resembling a piece of old, knotted wood or perhaps a twisting organic form. A glowing yellow orb, luminescent and almost ethereal, is cradled within this wooden enclave, suggesting something precious or magical. The structure is lined with overlapping strips or bands that seem to bind it, creating a dynamic interplay of lines and texture around the orb. Two small, gem-like elements—one vibrant blue and another dimly visible towards the lower part—add hints of color in contrast to the earthy tones of the structure and the stark yellow of the orb. The backdrop is a deep, dark teal, which enhances the aura of mystery and depth, focusing all attention on the amulet-like central motif. This painting combines elements of the natural world with a sense of enigmatic symbolism, creating an engaging and thought-provoking piece.
