Details
- Materials
- canvas, oil
- Dimensions
- 60 × 60 cm
- Year of creation
- 2026
- Signature
- Hand-signed by the artist
- Ready to hang
- Yes
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Artwork in the room
Filomena Linčiūtė Vaitiekūnienė stands out as a celebrated Lithuanian artist, scenographer, and painter. Her viewpoint encompasses both the brightness and shadows inherent in life, delving into the intricate nature of existence. This duality is reflected in how she regards the world—not simply as a place marked by routine and adversity, but also as a landscape filled with simple pleasures and fleeting marvels, recognized by those who approach life with openness and sensitivity.
Following her graduation from the Vilnius Academy of Arts in 1965, Linčiūtė Vaitiekūnienė became deeply involved in the dynamic spheres of theatre, film, and television. She played a vital role as a designer of sets and costumes, shaping notable productions such as Lithuania's inaugural musical, "The Devil's Bride," along with "Peter Pan," "Louis XIV," and "Red Riding Hood" at the Academic Drama Theatre. Her influence extended to the Kaunas Drama Theatre, where she contributed to memorable productions like "King Motiejukas I" and "Black Comedy," leaving a significant mark on Lithuanian visual and cultural life.
With time, Linčiūtė Vaitiekūnienė found that the familiar world around her began to lose its definite meanings and intentions—a reality mirroring the fleeting character of theatre and the constantly changing domain of art. Items and experiences slowly detached from their established roles, taking on an identity that felt anonymous and mysterious amid daily repetition. This evolution prompted her to seek out something more profound and lasting within her personal journey and artistic practice.
As she looked for comfort and a new wellspring of creativity beyond the ephemeral nature of the stage, Linčiūtė Vaitiekūnienė found herself drawn to the understated elegance of nature, the resonance of music, and the quiet of silence. In her latest works, she explores interplay between color and light, striving to portray a luminous, delicate reality that easily escapes attention. Her paintings express a layered harmony—shining, receding, unfolding—that resonates with Thomas Mann's idea that artistic fulfillment demands deep personal sacrifice. For Filomena, this subtle form of discovery has brought her contentment, unveiling the quiet marvels woven into everyday existence.
This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania
