Details
- Author
- Lina Zareckaitė
- Materials
- Oil on canvas
- Dimensions
- 80 × 60 cm
- Signature
- Hand-signed by the artist
- Ready to hang
- Yes
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
In an impressively brief span, Lina Zareckaitė has made a striking debut in the art scene. Her earliest creations, distinguished by a dynamic imagination and original ideas, immediately revealed a refined quality and an intricate, multilayered visual language. The way Zareckaitė has come onto the scene is rare—her natural talents swiftly surpassed traditional limits, introducing novel artistic forms and disregarding established conventions along the way.
Lina Zareckaitė’s artworks stand out for their inquiry into the many facets of reality and the constant fluidity of existence. Through her art, she delicately probes human emotions and experiences, exposing both their variety and vulnerability. She welcomes viewers to immerse themselves in these representations of human life, thoughtfully constructed with an intentional use of diverse colors and brush techniques. Each piece possesses a complex rhythm, where energetic interplay reveals how deeply the artist engages with her themes.
In Zareckaitė’s paintings, color assumes a fundamental importance. She layers vibrant tones, often blending oil and acrylic paints within a single piece. This method gives rise to animated splashes of color and dramatic strokes, sometimes resulting in textured surfaces, other times dissolving into gentle transparencies. Even though her gestures convey bold movement, there is careful intent; each layer and mark settles just where she believes it will best fulfill her artistic purpose.
From a technical perspective, Lina Zareckaitė frequently adopts impasto techniques, marked by pronounced relief and tactile depth. Choosing to apply paint directly to the canvas, rather than using a palette, she achieves her effect through overlapping and exposed layers. The act of painting clearly brings her joy; as she manipulates the paint, she creates sumptuous “surface landscapes,” offering the viewer a sensory experience that borders on the tangible. At present, the artist resides and practices her craft in Amsterdam, Holland.
About this artwork+
The painting features a richly textured canvas dominated by warm orange tones in the central expanse, suggesting an aged or weathered surface. On the left, there is a fragmentary image of a blue and black eye peeking through, surrounded by dark shadows and what appears to be the outline of a face, partially obscured and merging into abstract forms. Above this eye, a clock face with numbers scattered and smeared leans towards distortion, evoking a sense of passing or distorted time. The background hosts speckles and patches of dark and light colors, contributing to a sense of depth and decay. The right side is less defined, shadowy with hints of figures or shapes that blend into the orange central area, which might signify fading memories or fleeting moments. At the bottom, a streak of vibrant pink adds a jolt of contrast, cutting across the otherwise earthy palette. The overall impression is one of looking through or past time’s layers, a visual representation of memory, history, and the transient nature of existence.




















