Lina Urbanavičienė, an artist from Lithuania, discovered her love for art at an early age. Encouraged by her father, himself a painter, she became captivated by watching a blank canvas turn into a vivid work of art. These formative moments played a significant role in shaping her path toward a creative profession. Lina completed her studies at the Kaunas School of Applied Arts before furthering her education at the Faculty of Arts at Vytautas Magnus University.
In addition to working on her own artistic creations, Lina serves as an exhibition curator, integrating her professional responsibilities with her deep passion for painting. She has been regularly involved in painting plein-airs and exhibitions since 2008. In 2015, her participation expanded beyond Lithuania, as she began joining international exhibitions and plein-air events, presenting her artwork alongside artists from various countries.
A distinct quality of Lina’s paintings is their sense of ceaseless motion and transforming landscapes. Within her art, entirely new worlds seem to emerge, unfold, and continually change. The scenes never stand still; elements swirl, drift gently, or bubble upward, creating an atmosphere akin to being immersed in a dream or lost in meditation. From time to time, familiar images may appear only to vanish again, intensifying the feeling of an ephemeral, dreamlike journey.
Lina characterizes her artistic process as a journey into unknown realms of feeling and imagination. "When I paint, I enter another world, become a different version of myself, and encounter new emotions and experiences. Escaping reality and diving deep into the world of imagination, colors, and sensations is a joy. It is there that the tangible meets the intangible," she explains, summing up the powerful, transformative effect of her creative work.
About this artwork+
The canvas bursts with a dynamic array of abstract forms and colors that suggest a blend of the natural and the fantastical. Hues of greens, yellows, and blues dominate, complemented by specks of red, white, and ochre, creating a vibrant palette. The composition appears divided into two primary areas: one side features softer, dripped, and washed out forms that resemble dreamy, distant trees or vegetation; the other side is filled with bold, angular patches and thick, textured strokes that evoke petals or leaves swaying in an unseen breeze. The overall effect resembles an enchanted, kinetic garden or an abstract representation of a flour mill transformed into a flurry of floral activity.




















