Details
- Author
- Lina Audronytė
- Materials
- Pastels on paper
- Dimensions
- 50 × 70 cm
- Signature
- Hand-signed by the artist
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Artwork in the room
Lina Audronytė is an artist whose paintings explore the often-overlooked details of daily life, concentrating on commonplace scenes and objects that typically go unnoticed. By viewing her surroundings from unique and unexpected angles, she reimagines familiar visuals—like the courtyards of old apartment buildings, greenhouse-grown tomatoes, or simple flower arrangements—as images that seem dreamlike or surreal. Audronytė, through her art, invites observers to reconsider their habitual ways of seeing, encouraging them to uncover surprising beauty and meaning within the ordinary.
Her artistic method is defined by an intent to awaken her audience from the ease of everyday routines. Lina aims to "pinch" viewers out of their habitual drowsiness, prompting them to engage with their environment in a more vivid and conscious way. Through her creative reinterpretations, she urges people to look more closely and to perceive the remarkable within the familiar.
Audronytė pursued painting at the Vilnius Academy of Arts from 2005 to 2011, establishing the basis for her creative exploration. In 2006, she took part in the ANTIPOPS festival in Kaunas, marking her early presence in the Lithuanian art community. Her artistic path continued with a residency at the Fluxus Ministry in 2012, which represented another milestone in her development as an artist.
Beginning in 2019, Lina became increasingly active, taking part in more art projects and exhibitions. Since July 2020, she has been a member of the online gallery "Art without a Roof" and has participated in the international "COCA ART" project. In September 2020, she curated her first exhibition in Vilnius, titled "Night Activities," held at Ramintojos Church. The majority of the works were created specifically for the Culture Night 2020 project, illustrating her growing artistic voice and her dedication to engaging with the public.
About this artwork+
This painting by Lina Audronytė is called "Sidewalk." It shows a quiet, worn path. The pavement is cracked and uneven. There are soft colors like gray, beige, and white. A single yellow flower lies on the stones. The scene feels calm yet slightly neglected. Lina Audronytė uses a gentle, realistic style. The textures feel almost real, capturing everyday simplicity. Her brushwork adds depth to the stones. It suggests age and history. The use of light and shadow is subtle. It makes the scene look peaceful and timeless.




















