Details
- Author
- Kristina Daniūnaitė
- Materials
- Etching, aquatint
- Dimensions
- 35.5 × 27 cm
- Signature
- Hand-signed by the artist
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Artwork in the room
Upon encountering the works of Kristina Daniūnaitė, one is immediately struck by the way her art refuses to be passively viewed. According to art critic Vaidilutė Brazauskaitė, Daniūnaitė does not allow for indifferent spectators—her creations compel engagement and thoughtful attention. While the visual allure of her paintings initially draws viewers in, it is through closer examination that multiple layers of meaning begin to unfold. These pieces are accessible to all, yet they particularly reward those willing to dedicate time to reflection, encouraging a deeper exploration beneath their captivating surfaces.
Daniūnaitė’s distinctive approach is characterized by dreamlike imagery, reminiscent of the atmospheric intensity found in Edgar Allan Poe’s literature. Her skillful use of monochrome etching, coupled with fine, delicate lines and misty effects, envelops her works in mystery. Scenes of urban life, such as facades of buildings, transcend straightforward depiction—windows are transformed into eyes, facades suggest hidden narratives. Light rarely prevails in her compositions; instead, subtle gradations of gray and black create the impression of endless dusk, hinting at the emotional and conceptual depth concealed below the surface.
The subject matter of Daniūnaitė’s art frequently engages with solitude and inward reflection. Her enigmatic, frequently solitary figures and fantastical creatures prompt a sense of wonder, mirroring themes of isolation central to her creative exploration. Narrative elements drawn from fairy tales and theater—such as masks, elaborate costumes, puppets, and magical forests—often appear in her work. These motifs function as symbols reflecting the mysterious aspects of human nature, challenging viewers to search for their own interpretations, feelings, and understanding as they encounter each piece.
Kristina Daniūnaitė, born in 1975, began her artistic studies at the School of Fine Arts in Panevėžys before specializing in fine glass and graphic arts in Kaunas and Vilnius. She received both Bachelor’s and Master’s degrees in Graphic Arts from the Academy of Fine Arts, and since 2009 has been a member of the Lithuanian Artists’ Union. Daniūnaitė is dedicated to graphic techniques—most notably etching and aquatint; she also teaches at the Vilnius Pupils’ Creative and Educational Centre as well as the “Spalvų juoaks” art studio. Her works have been presented in exhibitions in Lithuania and internationally since 1998, and since 2013 she has actively taken part in plein air workshops, consistently strengthening her influence within the artistic community.
Lithuanian Artists’ Association Member




















