Details
- Author
- Jolanta Kanapickaitė
- Materials
- acrylic on canvas
- Dimensions
- 60 × 60 cm
- Signature
- Hand-signed by the artist
- Ready to hang
- Yes
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Jolanta Kanapickaitė is a contemporary artist whose work delves into the perpetual cycles of time, such as the interplay between night and day. She regards painting as a bridge connecting these cycles—an immersive process that guides her toward self-discovery and a deeper grasp of being. For her, painting transcends time, enveloping the artist in sensation and emotion, and offering the means to express both the calm and vitality she perceives within the flow of life.
Kanapickaitė’s creative approach centers on harmonizing color, form, and line, with abstract expression holding a pivotal place in her paintings. Her canvases are frequently animated by the impulses of spontaneous and uninhibited brushwork, echoing her belief that painting resembles an unspoken, visual form of poetry. Through abstraction, her intention is to distill the spirit of various surroundings—whether that be private emotions, landscapes of fields and mountains, forests, rivers, or urban spaces—and to contemplate the intricate ties connecting people, nature, and urban environments.
Jolanta Kanapickaitė lives and produces her art in Vilnius, Stakliškės, and Molėtai. She possesses a robust academic background in the arts, having studied painting under Marija Teresė Rožanskaitė at the Vilnius Justinas Vienožinskis Art School, and continuing her education at the Jūratė Stauskaitė Children and Youth Art School during 1992–1993. She earned a Master’s degree in Visual Arts (Painting) under Professor Ričardas Bartkevičius, as well as a teacher’s qualification under Professor Jonas Gudmonas, and completed a Master’s in Social Pedagogy in 1999. Her doctorate in Education, received in 2009, focused on the individualization of adult art education.
Since 2013, Kanapickaitė has served at the Martynas Mažvydas National Library of Lithuania, where she remains engaged in painting exhibitions and directs cultural and educational initiatives at the library. Her election in 2022 to the Council of the Society of Art Educators, which marked its 30th anniversary that year, further demonstrates her enduring dedication to both creating art and advancing art education in Lithuania.
About this artwork+
In the painting titled “Holidays” by Jolanta Kanapickaitė, we see a vivid landscape dominated by two buildings that grab immediate attention due to their bold and contrasting colors: one painted in a deep, vibrant red and the other in a bold purple hue. Both buildings are simplistic in structure yet evocative; they're rendered with rough, expressive strokes that suggest an antiquated charm. They each feature a solitary dark door, and small crosses sit atop their rooftops, possibly indicating a spiritual or communal significance. The background consists of abstract representations of a mountainous landscape, using swathes of blue and green. This setting contributes a serene but dynamic atmosphere to the scene. The sky above them is a mosaic of whites and grays, perhaps indicating the fleeting moments between different weather patterns, suggesting a temporal change is as imminent as it is inevitable. Foreground details appear in richer, muted tones of blue and green, which might be representing grass or small hills right near the buildings, giving a hint of undulating terrain. The painting exudes a sense of isolation tempered with tranquility, urging the viewer to reflect on the simplistic beauty and contemplative silence that rural landscapes can offer.
