Details

Materials
Oil on canvas
Dimensions
40 × 120 cm
Signature
Hand-signed by the artist
Ready to hang
Yes
Frame
Framed
Certificate of authenticity and return guarantee

Certificate of authenticity

Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.

Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.

30-day return guarantee

Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.

Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!

Delivery

Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.

Returns

As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.

Artwork in the room

Janina Celiešienė

Janina Celiešienė(96)

All artworks

Janina Celiešienė, a distinguished Lithuanian artist, discovers in creativity a profound method for understanding and interpreting life. For her, art serves as an avenue for self-expression, capable of lifting the human spirit above ordinary routines and providing both joy and uplifting emotions. Her artwork is intensely personal, capturing a broad range of emotions—love, anxiety, disappointment, hope, faith, and dreams—which she believes words alone are insufficient to convey.

Born and raised in Kaunas, Lithuania, Celiešienė studied at Kaunas University of Technology before continuing her education at the Vilnius Academy of Arts, where she established a solid grounding in both technical and artistic fields. Active in the Lithuanian and international art scenes since 1994, she has participated in over fifty group exhibitions, plein-air sessions, and biennials within Lithuania and abroad. In 2000, she made a notable impact on Lithuanian art education with the publication of the country’s first art textbook, "Fundamentals of Art History and Art Cognition."

Throughout her creative process, Celiešienė skillfully merges realistic details with imaginative elements, crafting distinctive pieces that engage viewers on intellectual and emotional levels. She primarily chooses oil on canvas as her medium, which provides her with the flexibility to explore color and form, creating vibrant, expressive works. This blending of reality and fantasy has come to define her signature style.

Celiešienė’s paintings are appreciated not only in Lithuania but also by art enthusiasts and collectors around the world. Her works reside in the collections of institutions and private collectors within her home country, as well as in places like the USA, Australia, and throughout Europe. Since 2009, she has held membership in the Lithuanian Artists’ Union, further cementing her significant presence in the artistic community.

  • Lithuanian Artists’ Association Member
  • This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania
About this artwork+

The painting depicts a tall figure in a full-length dress shaped like a grand fortress with multiple towers and architectural details. The facade of the dress resembles stone walls with windows, doors, and turret-like structures. At the upper part of the figure, where the torso would be, the structure flares out like the petal collar of a mushroom, encasing and framing the figure's face. The face appears serene and impassive, with eyes closed, evoking a statue-like presence, blending human and architectural elements into a surreal, integrated form. The palette is muted, dominated by hues of gray and beige, lending an ancient or timeless quality to the scene.