Details
- Author
- Indrė Siaurusevičiūtė
- Materials
- Oil on canvas
- Dimensions
- 60 × 40 cm
- Signature
- Hand-signed by the artist
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Artwork in the room
Indrė Siaurusevičiūtė is an artist whose work is intimately tied to her origins in Suvalkija, a region whose unique landscapes shape her creative perspective. The vast horizons, wide plains, gentle meadows, and farmland are more than sources of tranquility and strength for Indrė; they are central motifs in her paintings’ visual language. Her bond with this land forms the cornerstone of her artistic expression.
While studying at the Vilnius Academy of Fine Arts, Indrė fostered a deep appreciation for abstract art. She found herself drawn to the abstract movement, which opened up limitless opportunities and fresh ways to perceive form and significance. Her fascination with abstraction has remained at the heart of her work, serving as a sky without boundaries, rich with endless depths and layers to investigate.
Her artistic process blends the elements of landscape and abstraction, resulting in works where the enigma of nature merges with her own inner life. Through this integration, her pieces frequently present unforeseen details—sometimes revealing faint outlines of figures, forms, or animals. This seamless fusion underscores her skill in portraying the complexity and diversity of the natural environment through a distinctly personal, interpretive approach.
Layers play a vital role in Indrė’s painting technique. She equates the buildup of paint to the accumulation of human experiences, where each new color or brushstroke both hides and exposes what lies beneath. Just as people gather memories and transform over time, moving away from innocence and simplicity, her canvases shift and gain dimension—transitioning from an untouched white foundation to something imbued with history, depth, and emotional weight.
About this artwork+
In the painting titled "Bridge" by Indrė Siaurusevičiūtė, we see an abstract composition dominated by muted tones intertwined with dashes of vibrant yellow. The central part of the artwork features what appears to be a structural form suggestive of a bridge or an architectural element, rendered in a grayish hue with sweeping strokes of creamy white that add texture. A striking contrast is provided by a vertical, amber-colored swathe on the right, which seems to pour down into a darker shade as if depicting the shadow or underbelly of the structure. Below these central forms, there is a series of rectangles in a darker palette that might represent the water or space underneath the bridge, highlighted sporadically with yellow reflections or lights. The painting melds these abstract shapes and colors, inviting viewers to dissect and interpret the connection between the elements, possibly alluding to the connectivity and passages that bridges symbolically and physically represent.




















