Details
- Author
- Ina Loreta Savickienė
- Materials
- ink, mineral paint, rice paper
- Dimensions
- 69 × 143 cm
- Signature
- Hand-signed by the artist
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Artwork in the room
Ina Loreta Savickienė works with ink and mineral pigments on rice paper, exploring East Asian painting traditions, including Chinese gongbi and xieyi, as well as Japanese sumi-e and nihonga.
While working across different cultural traditions, the artist does not aim at stylistic imitation. Instead, she seeks a personal visual language in which painting becomes a way of experiencing time, silence, and the natural processes of change. Her work is defined by a balance between control and chance: the line remains disciplined, yet the material itself is allowed to act. This tension creates a living, shifting image, where form may appear only as a suggestion and space remains open and undefined.
Color and background play a significant role in her work, not as decorative elements but as atmospheric space. Mineral pigments are layered so that color functions like light, mist, or air. The background is never neutral — it envelops the motif, giving it depth and mood. Light is not depicted directly, but emerges through tonal intensity, transitions, and the relationship with empty space.
The artist paints natural motifs—trees, landscapes, plants, courtyards, and gardens—interpreting them through the aesthetics of East Asian painting. Where Eastern artistic philosophy meets the experience of the Baltic landscape, familiar images acquire a new, contemplative resonance, inviting the viewer to pause and experience moments of stillness and harmony.
Ina Loreta Savickienė has held the official status of an artist since 2020. She has organized over 10 solo exhibitions and participated in numerous group exhibitions in Lithuania and abroad.
This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania
About this artwork+
The painting depicts a majestic mountain landscape, infused with a tranquil yet powerful allure. It features a series of rugged peaks, their forms blurred and softened in a style that suggests a merging of reality with a dreamlike essence. A palette of muted greens, blues, and earth tones imbues the scene with a serene, almost mystical atmosphere, enhancing the sense of seclusion and untouched nature. The central focus is a quiet mountain lake, nestled within the embrace of the encircling peaks. Its surface reflects the subtle colors of the surrounding landscape, acting as a mirror to the sky and the mountains. The lake is flanked by patches of dense, dark pine forests, providing a stark contrast to the smooth water and rough textures of the rocky terrain. Winding paths and possible traces of snow on the higher peaks suggest the ruggedness and perpetual change inherent to mountain environments. The use of light and shadow plays tricks with the viewer’s perception, blurring the lines between the tangible elements and the ethereal, imparting a sense of the sublime. At the bottom of the painting, a curious inclusion that appears almost like a stylized, abstract gate or a minimalistic representation of a figure adds an enigmatic touch to the composition. This element, dark and somewhat foreboding, perhaps serves as a narrative or symbolic counterpoint to the natural purity of the scene above it, inviting contemplation on the relationship between humanity and the natural world.
