Details
- Author
- Gintas Banys
- Materials
- acrylic on canvas
- Dimensions
- 100 × 80 cm
- Signature
- Hand-signed by the artist
- Ready to hang
- Yes
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Gintas Banys is a painter renowned for his exceptional mastery of realistic painting techniques, though he does not adhere strictly to the realist tradition. His artwork elevates elements of everyday life into intensely emotional experiences, blending contemporary cultural symbols with familiar aspects of reality, and juxtaposing monochromatic shades against bursts of vibrant color. By thoughtfully choosing various textures and contrasts, Banys aims to shed light on how individuals connect with their surroundings and the contradictions inherent in modern existence. He places particular importance on atmosphere—frequently, the eyes depicted in his portraits serve as the central feature, drawing viewers into the essence of the artwork’s meaning.
In addition to his visual art, Gintas Banys is widely recognized as the creative leader of the esteemed Lithuanian rock band Pelenai, where he takes on the dual roles of songwriter and lyricist. Painting constitutes an inseparable part of his identity, coexisting harmoniously with his musical pursuits. Describing his creative impulse, Banys remarks, "I paint when I don't paint, I play when I don't play - this is my understanding of my mission in this life." In both his music and his painting, he prioritizes meaningful content, the conveyance of emotion, and carefully considered artistic expression.
Driven by a passion for experimentation, Banys often employs mixed media, embracing spontaneity and chance within his creative process. He values the act of creation as much as the finished result, continually drawing inspiration and motivation from this dynamic interplay. He finds joy in the inherent unpredictability of each project, holding the conviction that the creative act itself is what imbues life with meaning and vitality.
His work stands out for its seamless integration of realism with elements of fantasy, combining tangible, concrete details with imaginative features that frequently conjure dreamlike realms—a mirror of the subconscious. This unique synthesis forms the foundation of his art’s striking effect. Banys’s paintings are found in private collections throughout Lithuania, Germany, the USA, and Switzerland, and he has held numerous solo exhibitions in locations such as Vilnius, Druskininkai, Šiauliai, Kaunas, Palanga, Varėna, Klaipėda, Kretinga, and Širvintai. Future exhibitions are planned for Trakai, Alytus, and Klaipėda through 2025.
About this artwork+
In the painting, a woman wearing a white hijab is depicted intently sipping from a striped, colorful cup using a straw, set against a contrasting backdrop of a cloudless blue sky. To her right, there is a man facing away from her; he sports a sinister clown makeup, his face half-hidden under a hood, the eye that is visible sharply glaring back at the viewer. Above the clown, a single black balloon floats against the sky, tied by a string that nearly grazes his nose. These two figures are framed within a window-like structure set into a gray wall that features patches and geometric designs. Adjacent to this, on the extreme left, a chimpanzee looks towards the viewer, holding a bubble gum bubble partially inflated between its lips. The overall tone of the painting combines realism with surreal elements, sparking a meditative contrast between the mundane, the playful, and the deeply unsettling.




















