Details
- Author
- Gilles Vuillard
- Materials
- oil on canvas
- Dimensions
- 260 × 165 cm
- Signature
- Hand-signed by the artist
- Ready to hang
- Yes
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Gilles Vuillard is a painter and a film maker. He was born in France and has worked in many places including Italy, Georgia, Iceland, Chile, the Azores, Easter Island, New York, Paris, Berlin... The way he depicts field studies in his paintings is like that of an anthropologist. Consequently, Gilles painted some houses in a portion of Zaliakalnis, and a certain amount of wooden synagogues. All his analog films, as many of his recent paintings, are connected to psychoanalysis and paleoanthropology.
Gilles has exhibited in Paris, Berlin, Vilnius, Kaunas... The Vilnius Gaon Museum and Kaunas' Choral Synagogue Museum hold some of Vuillard's paintings in their collections. From December 13, 2025 to January 28, 2026, the Ivanauskas Museum in Kaunas displays Gilles' most recent paintings. Lithuania's wood architecture cycle, which began twenty years ago, has reached a colorful expressionist moment.
About this artwork+
The painting depicts a rustic, wooden two-story building standing prominently in a snowy landscape. The structure's weathered wood siding, accentuated by traces of flaking paint, exudes a historical charm. A steep gable roof, dark in color, matches the building’s facade. Several large windows punctuate the walls, some partially obscured by the shadows cast from nearby trees, stripped of their leaves, suggesting the coldness of winter. In front of the building, there's a play of light and shadows on the snow, hinting at a bright but chilly day. A few people are present in the scene, appearing in winter clothing, suggesting daily life continues despite the cold. One person walks along a path, and another pair engages near what looks like a simple cart. The background features other buildings, displaying similar architectural characteristics, nestled among leafless trees under a pale sky; this background gives a sense of a tightly knit community or neighborhood. The overall atmosphere is one of quiet endurance and timeless existence in a small, perhaps quaint, community.




















