Artwork in the room
Ewa Pohlke is an artist whose creations emerge from a profound engagement with her own life and attentive observation of her surroundings. For her, as she explains, painting is far more than a passion—it is an essential calling. She makes it clear that, although art occupies a central role in her existence, her humanity comes first. This outlook defines her approach to painting, as she maintains that an artist cannot work apart from the reality that surrounds them.
In her landscapes, Pohlke demonstrates a strong link to the tangible world, yet she also leaves room for expressive freedom. Her paintings are distinguished by expressive skies, frequently presented with low horizons that direct the gaze upward. The relationship between sky and water holds particular significance in her work, with mirrored surfaces and softly defined clouds fostering a sense of atmosphere and fluidity. Through this, her paintings gain an emotional quality and convey a palpable sense of place.
In addition to her personal artistic endeavors, Ewa Pohlke is dedicated to passing on her expertise through community-focused activities. She has taken part in exhibitions, collaborative art projects, and plein air events, facilitating meaningful exchanges with both art audiences and peers. Of particular importance is her dedication to art therapy; she leads workshops for children and adults alike, and instructs others in painting and the application of art therapy techniques.
Pohlke holds membership in artistic organizations such as B'Jachad and Borussia, actively contributing to these associations. Her wide-ranging roles as artist, educator, and organizer reflect her conviction that art must be intertwined with daily life and community welfare. Her sustained involvement in art therapy workshops illustrates her commitment to ensuring art remains both accessible and transformative for individuals of all generations.
About this artwork+
The painting is made within a circular frame and features striking color contrasts, predominantly between vivid red-orange and deep blues. The left half of the circle is dominated by a blue background flecked with lighter blue tones, suggesting a night sky sprinkled with stars. On this side, there are also several abstract shapes and undetermined script-like marks drawn in a flowing, white line. Transitioning to the right half, the scene dramatically shifts to a rich, fiery red-orange hue, evoking a sense of urgency or tumult. This side also displays angular, shard-like forms that appear to be more chaotic, pointing in various directions, which could suggest disruption or conflict. The boundary between the two halves is marked by a faint, sketchy vertical line that barely defines a separation, indicating perhaps a fragile barrier between two contrasting states or worlds. The overall composition conveys a dynamic and perhaps unsettled narrative, resonating with the theme of a prayer for peace amid vivid depictions of discord and harmony.




















