Details
- Author
- Diana Zviedrienė
- Materials
- oil on canvas
- Dimensions
- 40 × 40 cm
- Year of creation
- 2023
- Signature
- Hand-signed by the artist
- Ready to hang
- Yes
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Diana Zviedrienė grew up in a small Lithuanian town, where her love for drawing and shaping things took root in her childhood. She spent four years at the School of Arts, completing her studies with top marks. Diana is the recipient of three bachelor’s degrees—in arts, philosophy, and law—and has also earned a master’s degree in philosophy. Formerly, she lectured in philosophy at Vilnius University and Šiauliai University, and she taught ethics at a gymnasium. Now, she is fully dedicated to artistic and creative endeavors.
Annually, Diana arranges between seven and ten solo exhibitions, both within Lithuania and abroad. She not only participates in plein air events but also often takes on their organization. Collective exhibitions frequently feature her involvement, and both domestic and international media have taken notice of her work. Diana’s paintings have found homes in collections worldwide, reaching destinations such as the USA, Japan, Morocco, Thailand, Germany, the United Kingdom, Greece, Poland, Latvia, among others.
Plein air painting has become especially significant in Diana’s artistic path. She is notably attracted to motifs like tractors and ships, finding them to be fascinating subjects. Lithuanian landscapes, particularly meadows and the seacoast, are central themes in her art; at times, she also delves into abstraction. Drawing on her philosophical education, Diana has crafted a distinctive painting technique, enabling her to embed profound meaning within her colorful compositions.
Travel is another of Diana’s great passions, and she values the way new experiences and first-time encounters enrich life. Fresh destinations inspire new themes and shifts in her use of color; for instance, painting in Greek and Polish plein air environments encouraged her to depict mountain scenery. For Diana, the act of creation demands that one truly perceives and experiences the subject at hand. The feelings she collects are transformed into paintings that express the chill of the sea and the delicacy of grass, inviting viewers to immerse themselves in her vision.
About this artwork+
The painting showcases an old tractor in vivid detail, accentuating its robust and weathered features against a pastoral backdrop. The tractor, painted in hues of blue and gray, has a solid, rugged structure with pronounced tires that appear muddy, suggesting frequent use in fields. Its body bears signs of wear, and its front grille, along with the headlights, lend it a somewhat mechanical face. The windows reflect a hint of the surrounding scenery and sky, perhaps denoting the early hours of a day. Behind the tractor, a dense cluster of leafy green trees rises, blurring into a backdrop that evokes a serene, rural setting under a softly illuminated sky. The artist employs broad, confident brush strokes, adding a sense of movement and life to the static machinery, and the overall composition invites contemplation of rural life and the enduring relationship between man and machine.




















