Artwork in the room
Daiva Staškevičienė, born in 1968 in Vilnius, is a Lithuanian artist known for her detailed and imaginative work.
Daiva Staškevičienė’s artistic journey began in childhood and later continued through formal studies, culminating in a Master’s degree in Graphic Art at the Vilnius Academy of Arts. Having studied under the prominent Lithuanian graphic artist Leonas Lagauskas, her work is grounded in precision, structure, and strong composition.
Her graphic work is highly detailed, yet it goes beyond technical skill. Carefully constructed scenes open into a symbolic, subtly surreal world, where elements drawn from imagination, nature, and folklore emerge gradually. Each work reveals new layers over time.
Alongside printmaking, she has developed a strong painting practice. Working in oil, Staškevičienė employs the glazing technique, building her images through thin, translucent layers to create a rich sense of materiality. Her figures—faces that do not represent specific individuals—feel timeless and slightly mythical. Set against nearly flat, undefined backgrounds, they seem to float between surface and space.
Her work connects to the ideas of André Breton, who described surrealism as a meeting point between dream and reality. In her work, this connection appears gently, creating images that feel both familiar and subtly uncanny.
Graphic works are produced in limited editions, while paintings are unique pieces, making them especially valued by collectors.
About this artwork+
This painting titled "Vilnius" by Daiva Staškevičienė captures a detailed view of a cityscape. It appears to be a dense cluster of historic buildings, with prominent towers and spires reaching above the rooftops. The artist uses a subdued color palette, mostly earth tones, which gives the artwork a timeless, almost antique feel. In the foreground, you can see bare trees. They add a delicate texture to the scene. The intricate details in the buildings suggest a keen eye and a steady hand. Daiva Staškevičienė’s style here leans towards realism but with a touch of whimsy, especially in the way the buildings almost seem to stack upon one another. Her use of what seems like etching or fine pen lines creates depth. Each building stands out yet remains part of the whole cityscape. It's a beautiful portrayal of Vilnius, likely highlighting its historical architecture and charm.
