Daiva Staškevičienė, born in 1968 in Vilnius, is a Lithuanian artist known for her detailed and imaginative work.
Daiva Staškevičienė’s artistic journey began in childhood and later continued through formal studies, culminating in a Master’s degree in Graphic Art at the Vilnius Academy of Arts. Having studied under the prominent Lithuanian graphic artist Leonas Lagauskas, her work is grounded in precision, structure, and strong composition.
Her graphic work is highly detailed, yet it goes beyond technical skill. Carefully constructed scenes open into a symbolic, subtly surreal world, where elements drawn from imagination, nature, and folklore emerge gradually. Each work reveals new layers over time.
Alongside printmaking, she has developed a strong painting practice. Working in oil, Staškevičienė employs the glazing technique, building her images through thin, translucent layers to create a rich sense of materiality. Her figures—faces that do not represent specific individuals—feel timeless and slightly mythical. Set against nearly flat, undefined backgrounds, they seem to float between surface and space.
Her work connects to the ideas of André Breton, who described surrealism as a meeting point between dream and reality. In her work, this connection appears gently, creating images that feel both familiar and subtly uncanny.
Graphic works are produced in limited editions, while paintings are unique pieces, making them especially valued by collectors.
About this artwork+
This painting shows two women. They face each other against a golden background. Each woman has unique, colorful accessories in her hair and on her head. These include coils, beads, and shells. The clothes and accessories add an exotic feel. Their expressions are serious, adding to the painting's mysterious vibe. Daiva Staškevičienė uses a realistic style for the figures. She mixes it with fantasy elements in their attire. The background is simple which makes the figures stand out more. The use of gold adds a rich, warm tone to the scene. This painting is visually striking. Staškevičienė mixes reality and imagination beautifully.
