Artwork in the room
Daiva Mažonienė (also known as Daiva Mažo) is an artist devoted to inspiring joy and positivity through her work. Her paintings are easily identifiable by their vibrant and cheerful color schemes, which convey an optimistic, uplifting outlook on life. Serving as visual reminders of happiness, Daiva’s art invites viewers to smile and savor the beauty found in everyday life.
Soft, rounded forms are a hallmark of Mažonienė's artistic approach, dominating much of her work. She has explained that her preference for avoiding sharp corners reflects not only her artistic style but also her broader philosophy; whenever possible, she chooses to 'smooth out' life's edges. This philosophy is evident in her flowing, gentle compositions, which are painted with both a brush and a generous spirit, imbuing each piece with warmth and approachability.
Recurring figures appear throughout her paintings, especially angels called Angeliauskas and exuberant, curvaceous women who represent the joy of embracing life fully. More than mere subjects, these characters have come to symbolize the good, happy life that the artist envisions, embodying positivity and well-being. Through their charm, Daiva Mažonienė conveys feelings of comfort and happiness.
For Mažonienė, the act of creation is intimately tied to her emotional well-being. She has stated that her artwork emerges from times of personal joy, and she strives to infuse every piece with this uplifting energy. The resulting works are not only visually striking, but also emotionally reassuring, opening a window for viewers into a world infused with optimism, generosity, and exuberant expression.
About this artwork+
In this artwork, we are presented with a surreal figure resembling an elderly man whose body strangely merges with a watering can. His head is oversized with exaggerated facial features including large, poignant eyes and a bulbous nose. The figure is aproned, decorated with intricate, mechanical-like patterns that swirl around where his body meets the metallic can, hinting at a possible fusion between organic and inorganic forms. He holds a small saw in his hands, with the blade appearing active or in motion, indicated by dynamic, squiggly lines emanating from its teeth. Intriguingly, from the spout of the watering can, instead of water, a vibrant outbreak of red berries or buds bursts forth, cascading around him like droplets of life sprung in mid-air. These berries connect with the theme of gardening but introduce an element of fantasy and unexpectedness, as the mundane act of watering morphs into an event of magical proliferation. The background remains a subtle, textured beige, allowing the complexities and the stark color contrasts of the central figure to dominate the viewer's attention.
